Geneviève

Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.

A regular night of poker among four friends turns into a night full of conflict, recriminations and self-reflection.

Jacques Godbout takes us into the world of Anne Hébert, a woman he considered his spiritual sister and who had only one raison d’être: literature. During the four decades of her creative process, this Quebecois poet and novelist rose to the ranks of the greatest French-language writers, with books such as Kamouraska, Les fous de Bassan and Le tombeau des rois.

An experimental short film shot in slow motion and set to Ottokar Nováček's violin composition Perpetuum mobile, the film depicts a love triangle between two men and a woman.

A fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Les inconnus de la terre starts like a traditional feature film: in the beginning of the film all the leading roles are given a short introduction. This is followed by a number of interviews, in which the makers unashamedly appear themselves. They include an interview with a lonely shepherd and one with three unmarried brothers who try to run the parental farm for better or worse. Notwithstanding the fact that this mode of interviewing has now become classical, les inconnus de la terre works rather refreshingly. The film is more than just an enumeration of problems. In an honest way it shows the ties of those involved to the land and to nature, in addition to being a plea for the modernization of French agriculture.

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.

While visiting their grandparents in the Québec countryside, two children enter a fantasy kingdom and are confronted by evil forces.

A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.

A young singer-songwriter abandons his life in his hometown and moves to the city to make it big. He achieves fame, but it comes at a price.

An unconventional undercover Chicago cop and his partner are recruited to commit the murder of a New Orleans criminal kingpin.

A director and an editor, both women, cannot work on a movie presenting the rape of a nurse without reacting on the scenes they're working on, the situation of womanhood in general, and the way the 'Justice' handle those cases of rape.

This short documentary records the celebration and ritual surrounding a snowshoe competition in Sherbrooke in the late 1950s. The film marked the beginning of a new approach to reality in documentary and prefigures the trademark style of the NFB's newly formed French Unit. Today, "Les raquetteurs" is considered a precursor to the birth of direct cinema.

Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?