Michel Brault

An unconventional undercover Chicago cop and his partner are recruited to commit the murder of a New Orleans criminal kingpin.

Virginia Tregan returns to her home in the U.S. Deep South from a sojourn in Paris only to discover that her family plantation and its holdings have been lost. She determines to recoup her family's fortune.

While visiting their grandparents in the Québec countryside, two children enter a fantasy kingdom and are confronted by evil forces.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.

This short documentary records the celebration and ritual surrounding a snowshoe competition in Sherbrooke in the late 1950s. The film marked the beginning of a new approach to reality in documentary and prefigures the trademark style of the NFB's newly formed French Unit. Today, "Les raquetteurs" is considered a precursor to the birth of direct cinema.

Celebrated heart surgeon Thomas Vrain supports the research of an offbeat scientist who has invented an artificial heart. Against the advice of the Ethics Committee, Dr. Vrain decides to perform the first artificial heart transplant.

Two teenage girls go to winter carnival in Quebec City for the first time. Their ambiguous, tentative relation with a young boy brings both of them the sweet intensity and disillusionment of first love. One of four film sketches on the problems of adolescents facing the adult world in the 1960s included in the anthology film That Tender Age (La fleur de l'âge, ou Les adolescentes). The three other sketches were directed by Jean Rouch, Hiroshi Teshigahara, and Gian Vittorio Baldi.

A rare one-hour documentary that takes viewers behind the scenes of one of the most dynamic and intriguing intellectual relationships of the twentieth century.

A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.

This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.

Captive Feast documents the annual village festival that allows inmates at the psychiatric hospital of St. Alban a rare chance to mingle with the rest of the population.

A woman agrees to a marriage of convenience with a refugee.

Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.

A young singer-songwriter abandons his life in his hometown and moves to the city to make it big. He achieves fame, but it comes at a price.

A fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.

A director and an editor, both women, cannot work on a movie presenting the rape of a nurse without reacting on the scenes they're working on, the situation of womanhood in general, and the way the 'Justice' handle those cases of rape.

A regular night of poker among four friends turns into a night full of conflict, recriminations and self-reflection.

An experimental short film shot in slow motion and set to Ottokar Nováček's violin composition Perpetuum mobile, the film depicts a love triangle between two men and a woman.

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

Jacques Godbout takes us into the world of Anne Hébert, a woman he considered his spiritual sister and who had only one raison d’être: literature. During the four decades of her creative process, this Quebecois poet and novelist rose to the ranks of the greatest French-language writers, with books such as Kamouraska, Les fous de Bassan and Le tombeau des rois.

Les inconnus de la terre starts like a traditional feature film: in the beginning of the film all the leading roles are given a short introduction. This is followed by a number of interviews, in which the makers unashamedly appear themselves. They include an interview with a lonely shepherd and one with three unmarried brothers who try to run the parental farm for better or worse. Notwithstanding the fact that this mode of interviewing has now become classical, les inconnus de la terre works rather refreshingly. The film is more than just an enumeration of problems. In an honest way it shows the ties of those involved to the land and to nature, in addition to being a plea for the modernization of French agriculture.

Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?