Pure Feud

Ann Annington (Minter) writes book reviews for a newspaper and when a reporter fails his assignment to get an interview with the noted author Harold Hargrave (Glass), she undertakes to meet the young man. She rents the room next door to his work shop and by impersonating a maid soon wins his good graces.

When his honeymoon is over, Knox Randall shifts his attention from his wife Ailsa to his business. Feeling neglected, Ailsa accepts her sister-in-law Clarissa's advice that a little jealousy might re-ignite her husband's interest. Undertaking a harmless flirtation with playboy Porter Maddox, Ailsa discovers that Clarissa has fallen madly in love with Maddox, who is using her to accumulate confidential information regarding Wall Street secrets. When Ailsa overhears Clarissa making plans to elope with Maddox, she hurries to save her sister-in-law.

After five years of marriage, Mildred comes to the realization that her husband, Lew, is going nowhere in the real estate business. Mildred, however, has managed to squirrel away two thousand dollars from the household budget -- enough to buy a home. But it turns out that Lew needs just that sum to avoid a financial disaster

A ship's captain, believing that his wife has cheated on him, takes their young son and leaves her. he comes back 20 years later. His wife stows away on his ship when he leaves, hoping to see her son, who is aboard. She takes along with her Mary, the daughter of a woman the captain once loved. Complications ensue.

A nobleman seeks to rescue his bride, who has been kidnapped by his former lover and a bandit.

Joan Doubleday is a shy spinster, who has been engaged to Monty Wade for 12 years, is secretly adored by Peter Flagg. Her young niece, Jerry, arrives and sets out to capture Monty. On the wedding day, Jerry announces that the grooms have exchanged places and that Peter will marry Joan. A quarrel prevents preparations for the wedding, but Jerry finally convinces Joan that she was meant for Peter.

Real-life mother and son entertainers Grace and Peter Lind Hayes star as a mother and her son. She’s a fading Broadway star working as a maid to prep for a possible comeback role and he’s the offspring who wants to follow in mom’s footsteps.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

When an out-of-work Chicagoan travels west as a hobo on a freight train, he finds himself falsely accused of murder.

Artie Shaw and his orchestra perform four popular songs, "Alone Together", "Jeepers Creepers", "Deep Purple", and "Lady Be Good".

When an Arizona ranchman (Willard Louis) is elected senator, he heads for Washington with his daughter, Judith Baldwin (Mary Miles Minter). But they leave behind ranch hand Tod Musgrove (Monte Blue), who is in love with Judith. In Washington, two men propose to Judith -- Congressman Hamill (Guy Oliver) and Robert Courtney (William Boyd). Since she doesn't know which one to pick, she puts them to a test at her aunt's woodland cabin.

This 1929 drama about mistaken identities contains three eight minute scenes that involve talking. The rest of the film is silent and subtitled. The trouble begins when the hero follows a pretty lady aboard an ocean liner. He boards the ship using the name of his friend who was supposed to take the cruise for health reasons. The friend was told that if he did not board the boat, he would not receive his inheritance. Unfortunately for the hero, a male nurse believes that he is the sick friend and forces him to stay in the cabin and subsist upon a diet of goat's milk.

A newspaper publisher's daughter is arrested for speeding. In order to avoid embarrassing her father, since his newspaper is in the midst of an anti-speeding campaign, she uses an assumed name. She is paroled into the custody of an assistant district attorney, who doesn't know who she really is.

Jerry Marsden, the son of a wealthy man, finds himself in a series of comedic misunderstandings. To prove a point or escape a social obligation, Jerry decides to take the place of his butler, who has been sentenced to a short stay in jail. While incarcerated, Jerry finds the experience surprisingly pleasant, as he receives special treatment and even manages to flirt with the jailer's daughter, Ruth Morrisey (Alice Day). Chaos ensues when his true identity is threatened and he must navigate the complexities of high society while technically being a "prisoner."

After the suppression of "Let There Be Light" (a documentary about combat-induced post-traumatic stress disorders which presented many inconvenient and demoralizing truths), the U.S. Army Signal Corp created this dramatized up-beat remake of the film. Only this time, the production excluded the involvement of John Houston, the producer of the original documentary.

Double or Nothing is a 1936 American short musical comedy film directed by Joseph Henabery. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.