White Hole

Silver Wheel

Silver Wheel (Bicycle in Dream) is a PR film that was produced to promote the export of bicycles. However, Matsumoto Toshio, who was an employee of the Shin-riken Pictures, which had been contracted to produce the film, asked for the cooperation of Yamaguchi Katsuhiro, Kitadai Shozo and Takemitsu Toru, at the time members of Jikken Kobo, and also invited the participation of Tsuburaya Eiji, the leading expert in the field of special effects. Therefore, this work depicts a young boy’s dreams concerning a bicycle, while making the most of the realistic and materialistic character of bicycle parts and of surreal and fantasy-like scenes. Due to the course of its production and the fresh images and music used, this was seen as being the first example of experimental cinema in postwar Japan.

Demons

Gengobe Satsuma, an exiled samurai cast out as an Asano clan retainer, is given a second chance to join his brothers in arms to become the 48th Ronin against the Shogunate. His faithful servant gathers the 100 ryo required for his acceptance. Gengobe is also in love with a greedy geisha named Koman. About to be sold to another man, Gengobe learns that in order to keep her, her debt is exactly 100 ryo.

Everything Visible Is Empty

There's more to picture than meets the eye in this journey into oriental metaphysical imagery. Starting (in a very Christian manner) with the Word, the film draws an explosion of visible forms, as if a sign of the shattering of shapes in the mundane world. But time is cyclical, of course, and what was once a multitude of sensible realities must eventually return to the Word and, finally, to sheer Color. (Sound of Eye)

Funeral Parade of Roses

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

Ecstasis

Repetitive abstract experimental film. A bearded man flickers past a hundred times.

For My Crushed Right Eye

Two chaotic series of images, one for each eye. Hipster living, malformed fetuses, war, arts events and pop culture stands for the material.

Ki or Breathing

'Ki or Breathing' is a spare concoction assembled from slow motion shots of nature and set to a score by the much-acclaimed Tohru Takemitsu.

Shift

By cutting up and zoom in on images of facades creates Matsumoto visual effects.

Sway

Pictures from a Buddhist temple cut up and manipulated.

Expansion

Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.

Enigma: Nazo

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Dogra Magra

A young man murders his new bride and goes insane. He wakes in an asylum with no memory, left in the hands of two mysterious doctors who relate his condition with his biological identity.

The Catch

Towards the end of WWII, a black American pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their 'catch'.

Connection

In Connection, a static shot of the sky with moving clouds is subdivided into regular geometrical regions, which are then individually (and rhythmically) manipulated.

Mothers

Documentary about the relationships between mothers and their children.

Engram

Engram is a three-part piece revolving around a few good old ideas such as photos inside of photos, movies inside of movies, photos inside of movies, movies inside of photos, and (even) a film director inside a TV set.

Johnny Express

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.