Ki or Breathing

Silver Wheel (Bicycle in Dream) is a PR film that was produced to promote the export of bicycles. However, Matsumoto Toshio, who was an employee of the Shin-riken Pictures, which had been contracted to produce the film, asked for the cooperation of Yamaguchi Katsuhiro, Kitadai Shozo and Takemitsu Toru, at the time members of Jikken Kobo, and also invited the participation of Tsuburaya Eiji, the leading expert in the field of special effects. Therefore, this work depicts a young boy’s dreams concerning a bicycle, while making the most of the realistic and materialistic character of bicycle parts and of surreal and fantasy-like scenes. Due to the course of its production and the fresh images and music used, this was seen as being the first example of experimental cinema in postwar Japan.

Gengobe Satsuma, an exiled samurai cast out as an Asano clan retainer, is given a second chance to join his brothers in arms to become the 48th Ronin against the Shogunate. His faithful servant gathers the 100 ryo required for his acceptance. Gengobe is also in love with a greedy geisha named Koman. About to be sold to another man, Gengobe learns that in order to keep her, her debt is exactly 100 ryo.

There's more to picture than meets the eye in this journey into oriental metaphysical imagery. Starting (in a very Christian manner) with the Word, the film draws an explosion of visible forms, as if a sign of the shattering of shapes in the mundane world. But time is cyclical, of course, and what was once a multitude of sensible realities must eventually return to the Word and, finally, to sheer Color. (Sound of Eye)

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

Repetitive abstract experimental film. A bearded man flickers past a hundred times.

By cutting up and zoom in on images of facades creates Matsumoto visual effects.

Pictures from a Buddhist temple cut up and manipulated.

A 20-year-old drifter and a precocious 16-year-old girl slowly form a bond in a small town haunted by its wartime past.

A young man murders his new bride and goes insane. He wakes in an asylum with no memory, left in the hands of two mysterious doctors who relate his condition with his biological identity.

Towards the end of WWII, a black American pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their 'catch'.

In Connection, a static shot of the sky with moving clouds is subdivided into regular geometrical regions, which are then individually (and rhythmically) manipulated.

Documentary about the relationships between mothers and their children.

A mesmerizing trip through the psychedelic vastness of space.

A psychedelic yoga lesson with some beautiful and bizarre visuals.

Writes Matsumoto, "I used the Erekutoro Karapurosesu (Electro Color Processor), which is mainly used in the field of medicine and engineering, to create moving image textures Metastasis, I was interested in layering images of a simple object and its electronically processed abstraction. The electronic abstract image is manipulated in a certain rhythm, depicting an organic process."

Matsumoto's last video was produced by Sano Gallery. Matsumoto set the common theme as “Seeing” in 2009, six co-writers participated to directing the omnibus film, "Seeing". Initially, there were no plans to expand it into trilogy, and Matsumoto was also limitedly involved in the work. Later, Matsumoto envisioneds works that pursued the omnibus format, and sets up a common theme of "memory.” Afterwards, Matsumoto begun the production of Pilgrimage into the Memory, a reconstruction of works produced by five participating artists. However, the Great East Japan Earthquake occurred while producing the work. Matsumoto shocked by the earthquake and Fukushima Daiichi nuclear accident, he decided to produce a new work, All Things Change, and titled it's trilogy, Toro no Ono Daisambu. The third part, All Things Change, consists of videos produced by Tanotaiga, Kanako Inaki, Hiroyuki Oki, Okuno Kunito, and Tanako Tanaka.