Mulheres... Mulheres

Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.

A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company into giving up her property for nothing, but is saved by his son's noble intervention.

After escaping from a penitentiary, six women begin a trail of passion and death in the search for survival.

Bebeto, a scoundrel and flirt, always gets the short end of the stick in his flirtatious advances. Having his eye on a woman who claims to be married, he uses various tactics to win her over. Following a friend's advice, he takes her to a deserted location, where he plans to make love in a van. The boys from a nursing home run by a priest show up, forcing him to referee a soccer match, ruining the romantic afternoon. On Carnival Sunday, Bebeto manages to take the girl to the apartment of his friend Gugu, who lent him the key. However, a malfunction in the toilet floods the apartment and the building with water, making the efforts of a plumber, the Fire Department, and the Radio Patrol ineffective.

Dr. Ferrão, a famous psychoanalyst, uses his daily column on a newspaper to atract women to his practice.

It is a film about the deep Brazil, not Brazil as a society, state or experience; it is a film about a geological, prehistoric and pre-logical Brazil. The adventures of the Caribbean monster, its wanderings along a virgin beach evoke, before Brazil, the artistic wanderings of a filmmaker in constant friction and, why not say, struggle against the mommy-daddy cinema, produced without taste, without joy and without adventure.

A gang robs a factory in the State of Rio de Janeiro taking 500 million cruzeiros. In the shooting, several bandits and police are killed. The police manage to arrest some criminals involved in the robbery but do not recover the money. The mystery grows with the occurrence of some deaths clearly related to the robbery.

The story of a legendary figure in Brazilian culture, the multifaceted Carlos Imperial. He was a convinced womanizer and cafajeste, he was a director and actor, created TV shows, composed songs like “Vem Quente que Eu Estou Fervendo” and “Mamãe Passou Açúcar em Mim”. In addition, he is responsible for launching big names in Brazilian music, such as Roberto Carlos, Elis Regina and Tim Maia.

Wealthy banker Antônio witnesses the murder of a journalist, who got killed for exposing the activities of a gang of smugglers. After they find out about him, Antônio and his wife are both targeted and pursued by the criminals.

The story of how D. Pedro I proclaimed the Brazilian independence on September 7th, 1822, and rose from prince of Portugal to first emperor of Brazil.

Erotic comedy in five segments, starring the same actor, Chico Anysio: O Torneio (The Tournament), A Boca (The Mouth), O Filminho (The Short Film), A Suspeita (The Suspicion) and O Apartamento (The Apartment).

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.

While trying to break an "animal game" gambling scheme, Det. Bartolomeu hits his head, and the gamblers convince him that he is one of them. But everytime he hears a whistle, he changes between gambler and policeman.