Yaji and Kita: Yasuda's Rescue

The death of a samurai in a palanquin leads girl detective Oshichi to take action to crush a plot to overthrow the Shogunate.

After settling the matter of shogunal succession, the retired Old Lord of Mito finds himself in a sea of trouble when he gets involved in the succession of the Takamatsu clan. The usurpers try by every means to effect their takeover, even if it leads to blood being spilled. Along with Kaku and Suke, the elder must face the most dangerous time of his life, in a battle against those corrupt individuals who would use any means to further their dastardly conspiracy, regardless of how many lives might be destroyed. The great Misora Hibari gives a bravura performance, as does the rest of this all-star cast. This is another outstanding effort on the part of the Toei Films, blending fact and fiction to bright back Japan’s golden era of the Genroku period.

During the Age Of Wars (Sengoku Era), Tokugawa Ieyasu and Toyotomi Hideyoshi are vying for power and each uses their secret weapons in order to try and defeat the other. Momochi Sandayu of the Iga, along with his disciple Ishikawa Goemon are ordered by Ieyasu to assassinate Hideyoshi and get the blueprints for the hidden fortress within Osaka Castle. Meanwhile the Koga group organizes to try and defend the castle for the peace of the nation. Beating off every trick from Sandayu, Torawakamaru protects the drawing, and when Ieyasu figures out a way to hold a match between Koga and Iga the two masters fight the greatest ninja battle ever held. The effects are truly spectacular in this classic ninja film from Toei.

The vassals of the Asano clan, who surrendered the castle & became wanderers, deceive the enemy and the public, wait for an opportunity to avenge their master and his family.

Jesuit priests in Japan during the 17th century are persecuted by the shogunate to for trying to spread Christianity.

From the opening theme song to the grand finale, you know that you have found something special as this exciting movie stars the great Misora Hibari in one of her most memorable performances as she plays Shintaro and Oharu, a brother and sister, the children of a lumber dealer who had been murdered by the evil boss Kumagoro who plots to take over Shintaro's family business with the help of a corrupt deputy who has fooled the family into believing that he is on their side.

A film on the life of Shibukawa Bangorō, the founder of the Shibukawa-ryū school of jūjutsu. To paraphrase Satō Tadao’s blurb on the back cover of the video, this is an important film for three reasons. 1. it is an almost perfectly well preserved copy of one of only a few full-length movies still available of the first superstar in Japanese cinema history, the very famous Onoe Matsunosuke. 2. it uses a method that was common in the silent era, the dyeing/tinting of film to mark given moments of day (for ex., blue for night-time) or given situations (for ex., red for fire) – and even though most films that used this technique have been redeveloped in straight b&w, this one is available in its original form. 3. it is an early SFX (special effects) movie that uses the basic tools of the trade - a great action movie full of swordsmanship and monsters (bakemono).

Fearless girl firefighter Oharu and skilled firefighter Shintaro battle against their evil rivals who threaten to take over Oharu’s family’s turf.

The earliest existing version (incomplete) of Mito Komon history. It was one of the most famous (and most filmed) Jidaigeki stories. Lord Mito is the sage who wanders the countryside rectifying government corruption along with his faithful attendants Suke-san and Kaku-san.

A historical drama spanning three generations, centered on the Sydney Special Attack Unit. Recommended by the Ministry of Education.

Prewar jidaigeki starring Denjiro Okochi

1961 Japanese movie

Kyoto in the third year of Bunkyu. --Serizawa Kamo, the head of the Shinsengumi, and the group around him spend their days and nights having fun in Gion and Shimabara, squandering precious military funds, and even robbing townspeople of money and valuables under the pretense of military funds. As a result, the citizens' voices of resentment towards the Shinsengumi grow louder. Kondo Isami, the deputy head, is concerned about this, but he wishes for peace within the group and suppresses the cries of spirited Okita Soji and others who call for them to be killed.