Kōmei Minami

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.

In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace. The Shogun sentences Asano to seppuku and deprives the palace and lands from his clan, but does not punish Kira. Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the Lord's dishonour. But their leader Kuranosuke Oishi seeks to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses, and Oishi and 46 rōnin are out for revenge.

A small town boy dreams of being a famous fiddler; Meanwhile, two convicts escape from prison and hide in the woods.

The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.

During the Genroku era, Azusa Gennosuke, renowned in Nara as a top swordsman and a scholar, crossed swords with the Magistrate Kurobane Yatayu, who tried to force himself on Gennosuke's beloved foster-sister, Kikuno. As a result, Gennosuke's younger brother, Shichisaburo, was killed. Separated from his mother, Gennosuke found himself on the run from the officials.

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.

One of Mizoguchi's first films, considered lost.

Chikuzen, a ronin named Yoh Daisuke, after pacifying some ruffians at the theater of Onna-Kata Ogino Sawanojiki, formed a bond with the theater's bodyguard, Maruhashi Tadayasu, and Kaku, a priest. He ended up settling at the Kasugaya, the house of Oko, whom he had saved. When Oko decided to go to Edo, where her biological father lived, Daisuke accompanied her. Along the way, at Suruga Abe River, they encountered Sawanojiki's theater group, which had departed from Osaka earlier heading to Edo. A scuffle initiated by Tadayasu over a ferry boat with the students of Yui Masayuki but was amicably resolved through Masayuki's intervention.