Cartoons Ain't Human

The theatrical run of Popeye the Sailor from 1933 to 1957 represents one of the most enduring and influential eras in American animation history. Spanning 231 shorts, this golden age of Popeye evolved across two distinct production studios: the boundary-pushing, gritty Fleischer Studios (1933–1942) and the more formulaic, brightly colored Famous Studios (1942–1957). Together, they transformed E.C. Segar’s comic strip character into a global cinematic icon, establishing formulas and animation techniques that altered the medium forever.

Casper the Friendly Ghost is the protagonist of the Famous Studios theatrical animated cartoons of the same name. He is a pleasant, personable and translucent ghost, but often criticized by his three wicked uncles, the Ghostly Trio. The character was featured in 55 theatrical cartoons titled "The Friendly Ghost" from 1945 to 1959.

Popeye and Bluto are on leave in the South Seas when Princess Alona (Olive) comes surfing by in her Sarong, a bird perched on her knee. The boys are smitten, and chase after her. The bird warns our boys that any harm to the princess will result in death from the local volcano.

About a rich dog and his poor servant.

Popeye is hosting three of his western-obsessed nephews on his ranch. To get them to eat their spinach, he tells about how he arrived at the ranch and was humiliated by foreman Bluto until, of course, he ate his spinach.

Popeye and Olive are driving through hillbilly country; a very large woman hillbilly is in search of a man, and grabs Popeye. And when Popeye's spinach falls, it's up to Olive to save the day.

Follows the adventures of the famed spinach-eating sailor man. Popeye is one of the most popular cartoon characters of all time. This spunky but loveable spinach-eating sailor continues to delight young and old with his comic adventures, and the entire gang is around to provide plenty of rousing fun and action: Olive Oyl, Swee'Pea, Wimpy and Bluto.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

Swee'pea is crying, so Olive calls on Popeye to cheer the baby up. Popeye and Bluto compete by doing various silly antics.

Olive is building a house when the boys happen by. They show off a bit to convince her to let them build her house for her. She decides to split the job in half by splitting the blueprints in half and having each build one side of the house. Of course, "cooperation" isn't in their vocabulary. Bluto does an extremely sloppy job on his half, and also takes every opportunity to either sabotage Popeye or trick him into doing more work. Meanwhile, Popeye's making enough of his own mistakes, many of which seem to involve wedging Olive into small bent pipes. Eventually, Popeye has his spinach and finishes the house, but the house collapses as they are celebrating with a kiss.

Bluto, the daring hot air balloon rider, catches the eye of Olive at a carnival, much to Popeye's chagrin. Bluto manages to make Popeye look bad several times, eventually winning a ring at the ball toss and taking her up in his balloon. Of course, he tries to get fresh with her, and Popeye comes to the rescue with the help of some fireworks. The hot air balloon gets a bit too hot, putting Olive in even more danger.

Robbers target a special train carrying a billion dollars worth of gold, and the only one who can stop them is Superman!

A hilarious throwback collection of kooky escapades from this rare 1960s cartoon about lovable cats, mischievous mice and big mouthed pups.

After The Daily Planet receives a letter from a mad scientist threatening to wreak destruction with his Electrothanasia Ray, Lois Lane heads out in the hopes of getting more information for a news story.

Superman battles a criminal mastermind and his robot army.

Popeye and Bluto are taxi drivers; they are, of course, competing for fares - and Olive, in particular.