Margie Hines

The happy tranquility of Bugville is shattered when the populace learns that a colossal skyscraper is to be built over their tiny town.

Olive Oyl's screenplay for an Aladdin movie comes to life and Popeye battles for control of a genie in this, the last of the three Popeye color films.

Popeye and Bluto are on leave in the South Seas when Princess Alona (Olive) comes surfing by in her Sarong, a bird perched on her knee. The boys are smitten, and chase after her. The bird warns our boys that any harm to the princess will result in death from the local volcano.

Bugs of all kinds convene on a jazz club for an evening of fun.

Popeye wants to propose to Olive, but can't work up the nerve. His fellow sailor, Shorty, helps him.

Actually, Popeye and Bluto are already there. They visit a nightclub, where the featured singer/dancer is, of course, Olive Oyl.

Popeye and Bluto show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea.

The Fleischer's Talkartoon short that debuted Betty Boop.

One of the first and most famous sex symbols on the animated screen, Betty Boop was an irresistible package of playful sexuality, made even more endearing by her absolute childlike innocence. She represented the unsinkable American spirit in the heart of the Great Depression, and endures as a pop culture icon today — favored by children and adults alike. Betty Boop: The Essential Collection, Volume 4 is comprised of thirteen animated shorts: Stopping the Show (1932), Snow White (1933, featuring Cab Calloway), Parade of the Wooden Soldiers (1934), She Wronged Him Right (1934), Red Hot Mamma (1934), Poor Cinderella (1934, in color), There’s Something About a Soldier (1934), When My Ship Comes In (1934), Zula Hula (1937), Riding the Rails (1938), The Swing School (1938), Pudgy the Watchman (1938), Sally Swing (1938).

Betty Boop, auditioning bandleaders for a college swing dance, "discovers" a cleaning woman who resembles Betty Grable

Popeye is doing a great job of sinking Japanese ships (complete with toilet-flush sound effect). A carrier pigeon brings him notice that he's been granted a month furlough, which he plans to spend with Olive and his nephews. But on arrival, he's run over by Olive, who immediately leaves him alone with his nephews, who are practicing home defense.

Utensils and food dance, sing, and play in the kitchen, until a lump of dough turns into a monster and they all unite to stop it.

“Boop-Oop-A-Doop” The queen of the animated screen returns to allure and entice audiences all over again in this fantastic four-volume compilation featuring many of her greatest adventures. Volume Three includes 12 animated short films produced by Max Fleischer and directed by his brother Dave Fleischer. Featuring the voices of Mae Questel, Bonnie Poe, Ann Little and Margie Hines as Betty Boop. This collection includes the cartoons MINNIE THE MOOCHER (1932), I’LL BE GLAD WHEN YOU’RE DEAD YOU RASCAL YOU (1932), MOTHER GOOSE LAND (1933), THE OLD MAN OF THE MOUNTAIN (1933), I HEARD (1933), HA! HA! HA! (1934), STOP THAT NOISE (1935), SERVICE WITH A SMILE (1937), THE NEW DEAL SHOW (1937), BE UP TO DATE (1938), OUT OF THE INKWELL (1938) and PUDGY IN THRILLS AND CHILLS (1938).

"Boop-Oop-A-Doop" the queen of the animated screen returns to allure and entice audiences all over again in this fantastic four-volume compilation featuring many of her greatest adventures. Volume Two includes 12 animated short films produced by Max Fleischer and directed by his brother Dave Fleischer. Featuring the voices of Mae Questel, Bonnie Poe, Ann Little and Margie Hines as Betty Boop. This collection includes the cartoons DIZZY DISHES (1930), BIMBO'S INITIATION (1931), BOO-OOP-A-DOOP (1932), BETTY BOOP LIMITED (1932), BETTY BOOP'S BIZZY BEE (1932), BETTY BOOP'S UPS AND DOWNS (1932), BETTY BOOP'S MUSEUM (1932), BETTY BOOP'S BIG BOSS (1933), MORNING, NOON AND NIGHT (1933), BETTY BOOP'S LITTLE PAL (1934), BETTY BOOP'S PRIZE SHOW (1934) and KEEP IN STYLE (1934).

Popeye has a new car; Olive wants a driving lesson. Things don't go well.

Olive rushes over to show Popeye the headline: Vaudeville is coming back. They agree to rehearse their old act. After a brief song-and-dance intro, the act begins: Popeye demonstrating his strength while Olive displays her flexibility and balance; impersonations of Jimmy Durante, Stan Laurel and Groucho Marx; and the last act, more feats of strength and agility.

Shore leave in South America; Bluto muscles in on Popeye's girl, Olivia Oyla. Popeye muscles him out, but when they get to the conga club, he doesn't care to dance, so Bluto wins again.

The race is on for the state railroad franchise: It's the Onion Pacific - Popeye - against the Sudden Pacific - Bluto. There's a kiss from Olive for the winner!

Popeye is heading over to see Olive when he hits a traffic island where a cop is directing traffic; when he gets there, he manages to get more tickets for blowing his horn and parking illegally. The cop rings the bell, and Popeye manages to wreck Olive's apartment by dropping what he's doing, each time he writes a ticket.

Honeymooning couples of various animal species take a rocket ship excursion to the moon. Spectacular lunar scenery.

Olive is going shopping and drops Swee'pea off for Popeye to watch. Popeye carves a sailboat for him, but the tyke spots Popeye's battleship, and the puny toy boat will no longer do.

A classic about an anteater who makes life rough for a colony of ants. In the ant community, the queen spreads warnings of their greatest enemy, the Anteater. "He's a menace, he's a brute, he will scoop you with his snoot." Their motto is "make him yell uncle," which they do when the anteater invades them.

Popeye has replaced Bluto in the Spinach Theatre's production of Romeo and Juliet (Olive, of course), much to Bluto's surprise and dismay. Bluto does what he can to sabotage the production, like cranking up the snow and wind machines, and eventually coming onstage, even though Olive wants no part of him.

Olive invites Popeye over for a hamburger dinner. His roommate Wimpy hears this and disguises himself as Popeye in order to be who enjoys the feast.

The theatrical run of Popeye the Sailor from 1933 to 1957 represents one of the most enduring and influential eras in American animation history. Spanning 231 shorts, this golden age of Popeye evolved across two distinct production studios: the boundary-pushing, gritty Fleischer Studios (1933–1942) and the more formulaic, brightly colored Famous Studios (1942–1957). Together, they transformed E.C. Segar’s comic strip character into a global cinematic icon, establishing formulas and animation techniques that altered the medium forever.

Betty Boop is an animated cartoon character created by Max Fleischer, with help from animators including Grim Natwick. She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures. She has also been featured in comic strips and mass merchandising. A caricature of a Jazz age flapper, Betty Boop wore a revealing dress that displayed her curvaceous figure. Despite having been toned down in the mid-1930s as a result of the Hays Code to appear more demure, she became one of the best-known and popular cartoon characters in the world.