Tjoet Nja' Dhien

Togar, a student from North Sumatra is expected by his parents to graduate. Because his talent is in journalism, Togar fails and becomes a labourer in a cement factory. With the assistance of Buyung, Togar begins writing for a newspaper and then quits his job in the cement factory.

Siska, a young woman was heartbroken after her fiancé broke off their engagement. Unwilling to see his sister depressed, her brother Johnny introduced her to his friend Leo, who is known as a womanizer.

A portrait of newly married couple, Nurlela and Hasan, who have to live at the house of Nurlelas’s father. They do not have enough money to find a place of their own. Nurlela's father constantly compares Hasan negatively to his rich son-in-law Bakri (August Melasz), causes a friction between the young couple. Hasan and Nurlela fights when looking for their own way to be able to live independently. This situation makes them lie to each other, especially Hasan, who questions himself about his work and its environment. Hasan’s hard work to get off the family’s house eventually causes a misunderstanding. Nurlela almost commits suicide before the couple is able to trust each other again.

A study of middle class life in Jakarta.

From the real life story of Marsinah, an Indonesian activist that was kidnapped & found dead on May 1993 after a demonstration act.

An Asian anthology: Mirage, Aliwan Paradise, The Tree Of Life, and The Tokyo Game.

Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.

Experimental documentary, with animation, shot during a gala concert by the Kantata Takwa Orchestra.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

Director Teguh Karya intended to make a “real” comedy amidst the many slapstick comedies at the time, and in fact calls this film a bitter comedy. In the film, Ms. Sumirah, a widow who used to be a favourite pretty girl in Padalarang, worries about her daughter Anna, who is shy and self-conscious. She keeps pushing Anna’s brother, Willy, to invite home a co-worker from the clothing factory he works in. Then a change occurs after Anna meets Jaka, an English teacher living near her house. When their relationship starts to bloom, it is found out that Jaka is the son of Saodah, a woman who once had an affair with Sumirah’s husband, Van Nijs. Sumirah changes her mind and opposes their relationship. Finally Anna and Jaka elope.