Mãos Vazias

Writer and poet Clarice Lispector investigates and develops the old question of what came first, the egg or the chicken.

Enterprising youths live many adventures when they decide to start a business specializing in making video clips for rock groups.

In the 17th century, to guarantee the possession of the region, disputed with Spanish and Dutch pirates, the Portuguese built a fort at the point where the dark waters of the Rio Negro meet the clear waters of the Rio Solimões, forming the Amazon River. Around the fort, the city of Manaus was born. Alli lived the Manaús Indians, warriors who worshiped Manari, the Good, and from him they received the order to fight all the invaders of the forest.

Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.

After being fired from his job and have his unemployment insurance money robbed, a young man decides to become a robber himself. While escaping authorities, he meets a female teacher of whom he takes hostage. Things get complicated when they fall in love with each other.

In the 1970s, in the midst of a military dictatorship, composer Jards Macalé and filmmaker Luiz Carlos Lacerda (Bigode) shared a house in Rio de Janeiro - which became a center of convergence for musicians, filmmakers and writers, and where they performed classic films and songs of Brazilian culture.

A true friendship develops between Jojô, a prostitute Rosa, and the young Eduardo, who survive on the streets of Rio de Janeiro. Everything goes well until ambition takes over the trio, causing friends to aim for bigger goals, planning a big assault that could cost them their lives.

Couple of lovers want to steal the income of a popular soccer game, at Maracanã Stadium, in Rio de Janeiro.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.

A tribute to Pier Paolo Pasolini's centenary. The film tells of his visit to Rio de Janeiro in 1970, returning from Argentina in the company of singer Maria Callas, when he met the young soldier Joaquim.

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

70-year-old widower living in a poor Rio de Janeiro suburb falls in love again when he finds a woman of approximately the same age.

The life of Brazilian actress Leila Diniz.

After the collapse of their relationships with other people, Maria and Paulo embark in an intense relationship in order to shield themselves from loneliness.

Police investigator Galvão is pursuing two trails, one professional and one personal. While he looks for a serial killer, he also searches for his estranged daughter, Sandra, whom he kicked out of the house. Lives intersect when the serial killer, Toninho, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio.