Buying Sex

In this offbeat whodunit, Bernie Langille sets out to uncover the truth around the strange circumstances of his grandfather (and namesake) Bernie Langille's death. Fifty years after the fact and with the help of meticulous miniatures, he reconstructs the bizarre events of one fateful winter night in 1968. What exactly precipitated the shocking discovery of Grandpa Bernie, dead in his own bed? The labyrinthian task of answering this question leads Bernie to interview a range of characters, including forensic experts and family members. Along the way, Bernie entertains increasingly absurd scenarios—including the possible involvement of Agent Orange. His obsessive musings, just like the constantly changing miniature sets, never get old. Ultimately the film provides a quirky yet thoughtful look at family ties, the fault lines of memory and intergenerational trauma.

Sir Anthony Blunt, who was a Soviet agent for 25 years, is routinely questioned and gives no answers, but is knighted and works as Director of the Courtauld Institute, and presents his interrogator with a puzzle in the shape of a doubtful Titian painting. He also does art restoration work in Buckingham Palace, where he gets into an interesting conversation with HMQ.

Several elderly friends and acquaintances in 1950s London are disturbed to receive mysterious telephone calls predicting their impending deaths...

Margaret is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish neighbor Syl. Both bride- and groom-to-be still live with their mothers in the humdrum suburb of Croydon. However Margaret has been acting strangely ever since a vacation in Egypt, where she stayed with her mother's friend Marie-Claire. She secretly despises Syl, but does not resist when her mother, who has repressed the failure of her own matrimony, insists on marriage for the sake of social convention.

Six gay friends discuss love, friendship and infidelity over the course of three significant evenings

A film that tackles the taboo subject of menstruation. A compelling source of information that is essential for all teachers, mothers, daughters, and the men who love them. It challenges society's thoughts on such issues as safety, Toxic Shock Syndrome, tampons, pads, different cultures, and misconceptions. Author Judy Blume and The Museum of Menstration curator are featured in the film.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

Conviction envisions alternatives to prison through the eyes of women behind bars and those fighting on the front lines of the decarceration movement. Not another ‘broken prison’ film, this collaboration is a ‘broken society’ film—an ambitious and inspired re-build of our community, from the inside out. The film compels viewers to examine why we imprison the most vulnerable among us, and at what cost.

Patrick Laba and his crew explore the intersection between space aliens and cultural alienation in Nova Scotia.

At Caledonia Junior High - like at so many schools - students and teachers live in an environment of disrespect and potential danger.