New York Portrait, Chapter I
Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.
Directed by Peter Hutton
Make it a double feature
1h 33m together
New York Portrait, Chapter I
The Deadly Art of Survival
Both from Peter Hutton.
More from Peter HuttonSee all →
Riverbody · 1970
New York Portrait, Chapter III · 1990
Looking at the Sea · 2001
Baseball · 1994
New York Portrait, Chapter II · 1981
At Sea · 2007
Three Landscapes · 2013
In Titan's Goblet · 1991
The Statue of Liberty · 1985
No Picnic · 1990
Sweetgrass · 2009
Skagafjördur · 2004
Landscape (for Manon) · 1987
Study of a River · 1997
The Deadly Art of Survival · 1979
Lodz Symphony · 1993

