Sweetgrass

Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.

A documentary about a group of pilgrims who travel to Nepal to worship at the legendary Manakamana temple.

An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.

An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.

Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.

A short companion to Leviathan, set inside the fishing vessel.

Maya is a photographer. She takes photos related to the eyeball. Kunio is a neurosurgeon and an independent documentary film director. He is interested on making a documentary about Maya. A mysterious eyeball collector watches for Maya's own eyeballs.

Exploring the intersection between experimental documentary and ethnographic anthropology, this short film silently follows a herd of sheep and a faceless cowboy through magic hour in Montana. A Western without guns or dames, just the open country, man and the animal world are left behind.

Constructed from the audio archive of the 1961 Harvard Peabody Expedition to Netherlands New Guinea: In the encounter with the Hubula people, this work reflects a parallaxing image of the histories of field recording, ethnographic film, and colonialism.

In the monumental American West, we are acoustic eavesdroppers on a man petting his herding dog, while we are visual witnesses to the progress of their charges, as apparently infinite as Rabelais' "moutons de Panurge," across a mythic landscape.

A two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.

“Ah humanity! reflects on the fragility and folly of humanity in the age of the Anthropocene. Taking the 3/11/11 disaster of Fukushima as its point of departure, it evokes an apocalyptic vision of modernity, and our predilection for historical amnesia and futuristic flights of fancy. Shot on a telephone through a handheld telescope, at once close to and far from its subject, the audio composition combines excerpts from Japanese genbaku film soundtracks, audio recordings from scientific seismic laboratories, and location sound.”—Ernst Karel, Verena Paravel & Lucien Castaing-Taylor

An apocalyptic vision of the vertiginous intermingling of the sea and the sky.

A throng of believers all crowd together in front of a stage. The speeches have ended. They are enraptured. The 'new' Indonesia.

An archaeology of both the ocean and the image, this piece reworks the sequences of Leviathan that were shot in and from the sea. Projected at 1/50 of the speed at which they were recorded, it simultaneously slows movement and animates the still, revealing a liminal universe at the threshold of human vision. In this flux, one beholds a netherworld of aqueous forms that appear in one frame and disappear or transmogrify into something else in the next.

Submarine spirits of monsters and demons, soldiers and sailors, pirates andwarriors, slaves and serpents, skulls and skeletons.