Of Horses and Men

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.

Soon after the break of the pandemic and realizing that his clock is ticking, Kristofer gets the urge to embark on a journey to try to find out what really happened when his Japanese girlfriend mysteriously vanished without a trace from London fifty years earlier.

Halla declares a one-woman-war on the local aluminium industry. She is prepared to risk everything to protect the pristine Icelandic Highlands she loves… Until an orphan unexpectedly enters her life.

This film tells the story of itinerant circus performers, cabaret acts and fairground attractions, showing rarities and never-before seen footage of fairgrounds, circus entertainment, freak shows, variety performances, music hall and seaside entertainment, chronicled from the 19th and 20th century. We will see early shows that wowed the world and home movies of some of the greatest circus families. Director Benedikt Erlingsson takes us back to the days when the most outlandish, skillful and breathtaking acts traveled the world. This rich visual archive has been created with exclusive access to The University of Sheffield’s National Fairground Archive and is accompanied by an epic new score by Georg Holm and Orri Páll Dýrason of Sigur Rós, in collaboration with Hilmar Örn Hilmarsson and Kjartan Dagur Holm.

TV movie based on the first chapters of the Icelandic Brennu-Njáls saga. The first part of Njálssaga is a half-hour long drama based on a part of Brenna-Nálssaga. It tells the story of Hallgerður Langbrók having food stolen in Kirkjubær and the horse she received as a reward from Gunnar. This is followed by Gunnar's quarrel with Otkel in Kirkjubær and his advisor Skammkel. Their business ends with Gunnar killing both of them. The second part is a half-hour long documentary where scholars bring out something interesting about this part of the story.

Hannes is an old man who has grown apart from his children. Recently retired when his wife gets ill he tries to reconcile with them and to atone for his cold demeanor in the past.

The Eagle: A Crime Odyssey is a Danish police procedural television series produced by Danmarks Radio, created and written by Peter Thorsboe and Mai Brostrøm. The series debuted on 10 October 2004 in Denmark. It won an International Emmy Award from the International Academy of Television Arts & Sciences for best non-American television drama series in 2005. There were three seasons; the second season premiered in Denmark on 9 October 2005 and the third on 8 October 2006. The last episode originally aired in Denmark on 26 November 2006. The series was filmed on location in various parts of northern Europe, from Berlin and Copenhagen to Oslo and other locations including Iceland. The series has enjoyed particular success in Australia, where it airs on SBS and is available on DVD with English subtitles.

Having just retired from the Danish Secret Service, Ditte Jensen has settled into a small apartment building in Reykjavík. Possessing a strong sense of justice, she doesn't hesitate to get involved in her neighbours' problems and help them.

When the light breaks on a long summer's day in Iceland. From one sunset to another, Una, a young art student, encounters love, friendship, sorrow and beauty.

The owner of an IT firm wants to sell his business for profit; however, when he started his firm, he invented a nonexistent president to hide behind when unpopular steps needed to be taken. When potential purchasers insist on negotiating with 'The Boss' face to face, the owner hires a failed actor to play the part.

Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.

A desperate city slicker engineer cheats his way into a small farming community, pretending to know how to save them by re-financing their slaughterhouse not knowing that he's walking into a local world war of small-town politics and general misbehaving.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.

Villi Neto investigates the potential death of singer Friðrik Dór. On his hunt for truth Villi discovers that the conspiracy is much larger and deeper than anyone could have suspected.

Follows a young married couple who see their livelihoods threatened when the government starts enforcing restrictive fishing quotas after they build a small fishing empire in a village.