Welcome, or No Trespassing

Welcome, or No Trespassing

1964 · 73 min · ★ 7.6 · Comedy, Family

Children rebel against the strict rules and regulations they face during their time in a Communist Young Pioneer camp.

Directed by Elem Klimov · Written by Semyon Lungin

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Cast

Make it a double feature

1h 45m together

Welcome, or No Trespassing

Look! The Sky!

Both from Elem Klimov.

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Come and SeeCome and See · 1985
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The invasion of a village in Belarus by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.
Look! The Sky!Look! The Sky! · 1962
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The launch of the space rocket is scheduled for Wednesday. Final preparations are underway in the shed. Yulia, Borya, and Petya are waiting for Misha. But Misha has lost interest in the project — it's much more fun to play in the sea. And a garage is about to be built on the site of the shed. The only one who can't come to terms with the cancellation of the flight is little Alka. Early in the morning, he climbs into the spaceship and presses the “Start” button.
FuseFuse · 1962
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7.61962
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Fitil is a popular Soviet/Russian television satirical/comedy short film series which ran for about 500 episodes. Some of the episodes were aimed at children, and were called Фитилёк, Fitilyok, Little Fuse. Each issue contained from the few short segments: documentary, fictional and animated ones. Directed by various artists, including Leonid Gaidai who presented his famous trio of Nikulin, Vitsin and Morgunov into the cast. It was called in USSR as "the anecdotes from the Soviet government".
Boys from Our CourtyardBoys from Our Courtyard · 1961
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A short film about young delinquents terrorizing a neighbourhood.
Agony: The Life and Death of RasputinAgony: The Life and Death of Rasputin · 1981
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As an adviser to the emperor Nicholas II, mystic Grigori Rasputin holds great influence over the empire. However, many in St Petersburg begin to regard Rasputin, with his strange practices and mesmerizing qualities, as a liability and plot his assassination. When Rasputin, known to many as the 'Mad Monk', leads Nicholas to embrace an ill-conceived military strategy, a group of determined conspirators set down a plan to eliminate him.
FarewellFarewell · 1983
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6.51983
MovieDrama
Matyora is a small village on a beautiful island with the same name. The existence of the village is threatened with flooding by the construction of a dam. This is the story of the inhabitants of Matyora and their farewell to their homeland.
Adventures of a DentistAdventures of a Dentist · 1967
Adventures of a Dentist
6.41967
MovieComedy
Young dentist Chesnokov has a knack for painless tooth removal, much to the dismay of others, who fear unemployment and start to challenge Chesnokov.
LarisaLarisa · 1980
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6.31980
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Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.
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6.31960
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A young schoolboy tries to help the girl he likes to pass a test.
Sport, Sport, SportSport, Sport, Sport · 1970
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Combining staged scenes, newsreel footage, and documentary episodes, the history of the development of sports is presented, showing the stadiums of Moscow, Philadelphia, Stockholm and Mexico City in the past and future.
And Still I BelieveAnd Still I Believe · 1974
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Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."

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