Ilga-Ivolga

At the center of it is the fate of young women in the war and in the harsh post-war times, when witch-hunting of "enemies of the people" was a common occurrence. The brutal war is mutilating both the girls' bodies and their souls. Location: military hospital. It is just a backdrop to which the character rattles, the intrigue, the human relationships. The pathos of the tape conveys the idea that a woman is and remains a woman in all circumstances and situations. During the tumultuous years of war, they were also overwhelmed by true love, mutual understanding, trust and tenderness.

Nina and Nikolai Jansoni seem to have everything: successful careers, a comfortable home and a car. When Nina gives birth despite doctors’ warnings, a tragic mix-up leads her to believe that her baby has died. Afraid to tell her husband the truth, she accepts another child as her own. When the mistake is eventually uncovered, Nina rejects her biological child, who is taken in by a nurse, Inta. Years later, her dormant maternal feelings awaken, and Nina sets out to reclaim the child she once gave up.

Edmunds Berzs is an architect who has achieved a comfortable life, but this causes him unease, so he decides to go to the country house where his mother lives. There he wakes up to find himself locked in a cage in the middle of the forest. Edmunds, paradoxically, finds the tranquility he was looking for.

During the Second World War, senior lieutenant Astra Lejiņa, a member of the Soviet Army’s propaganda unit, receives permission to serve in the same military unit as her fiancé. Travelling a long distance by vehicle and on foot, she makes her way to the front, becoming an eyewitness to a series of dramatic and harrowing events that reveal the human cost of war.

When Rolands and his friends' amateur movie seen at his 18th birthday party unfolds as a crime testimony, fragile bond between people threatens to break completely.

Alfrēds Turlavs is a successful engineer at a communications technology factory in Riga, but his comfortable life has grown emotionally distant. His marriage to Līvija has lost its warmth, while their daughter Vita has grown up and started a family of her own. Just when Turlavs seems settled into a predictable routine, a new love enters his life: his colleague Maija.

Ten year old Sancho arrives to Leningrad and starts looking for friends.

In this movie (based on a true story) within a movie, a director tries to film the tale of an old KGB activist living in a parish house. In the summer of 1941 the activist tortured and killed Latvians in the cellar of the house. Although the old man hires others to brick over the cellar door, the murdered people keep coming through the stones and never leave him in peace. Unbeknownst to the film makers, the "real" KGB activist, now an aged drunk, is milling about the film set. Moreover, the director and lead actor are competing for the love of the lead actress, and the film's producer wants the director to re-shoot parts of the movie.

It is the post-war era on the Latvian border, and the Lithuanian girl Maryte has located her relative, Antanas. Having been a farmhand on a rich farm as well as the lover of the owner's wife, upon his return from the war Antanas hopes to gain as much as he can from the collapse of the old world. The wife's daughter, Ausma, has since grown up and seems much more desirable to Antanas than his former lover. The historical situation makes for a tense atmosphere, because in the nighttime partisans may emerge from the forest, while during the daytime everyone must be careful to follow the new rules of life under Soviet rule.

A love triangle - a terminally ill university teacher, a blind girl and a young bard. In the background of it all - the wild arrival of the capitalism, political conflicts, city life and the beautiful nature of Latvia. In the end love will conquer everything, though not everybody will live to witness that.

When old auntie Mirta succeeds in a lottery and wins a car which she cannot use herself, all sorts of family members suddenly appear by her side, hoping to get the car after their auntie's death. Until then, they had never helped Mirta, it was only her neighbours who supported her in her old age. Now, her nephew Ēriks with his wife and son, and her ex-daughter-in-law Olita with her second husband and daughter, would all love to get their hands on the car that's in the colour of Midsummer's Eve.

The great actress Julia Lambert suddenly realizes that she is, alas, getting old. What can help a woman who has absolutely everything? Only new love. And Julia falls in love with the first person she meets: an ambitious young man who has not a penny behind his soul. So begins a new life - a new romance and new tears. How else could it be?

A six-year-old boy plots to stop his "sweetheart", a grown-up woman in his pre-World War II Latvian village, from marrying.

Arvīds Lasmanis can't hold any job for long because he is not ready to tolerate deceit and slapdash work. He still has to feed his family, by chance he finds a well-paid job as a gravedigger. A friend helps Arvīds to find a place in a construction team, but other workers don't approve of Arvīds' high principles. His wife accuses him of not knowing how to make money, the family lives crammed in one room of a shared flat. The Soviet absurd comedy tells a story about a man who, while at odds with the system, won't lose his conscience and his true self, even if it means saying no to wealth and comfort.

Set in early 20th-century England, a celebrated middle-aged actress, Julia Lambert, begins an affair with a young clerk named Tom Fennell. After realising he is merely a social climber using her for status, Julia tries to break free from the infatuation.

A young boy finds a watch with an engraving in Spanish saying that the watch belongs to Captain Enrico, and adventures begin...