La Paz

High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.

A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.

Lara must take the train every day to go to work. In that monotony she meets someone special, but it is not what she imagined.

Arita and Balencha, two young girls and close friends are like sisters to each other. Most of their friends have moved to Buenos Aires, but even if your boyfriend is trying to tug you along, it takes courage (and money in your pocket) to say farewell to each other and the place you have grown up in. But time passes and change happens, no matter if you want it or not - and maybe even Arita and Belencha will one day grow apart. But until then their days are spent talking, dreaming and finding a new home for a cardboard box full of puppies among friends and neighbours.

After the death of his father, Eduardo Crespo embarks on a journey to film a movie as they would have done together. A film about Crespo, the town where they come from, poultry farming, and the relationship the father and son used to have. Now that the main character is no longer there, the film travels around the same places. Trying to put together, through the town collective memories and a personal memory, in order to reconstruct from all these details, the figure of that father who is not there anymore.

Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

Ani, an apprentice hairdresser who loses her job meets Danilo, a forty-something street scissors sharpener.

Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

A stone falls from the sky in a mountain village. Two friends set out to find it in the countryside. On the way they talk, remember a deceased friend, laugh, discuss, meet other seekers. On the way, poetry is read, poetry is heard, poetry is felt in the wind. From the beginning of the day until the light goes out. One or more goodbyes, but also encounters and promises. A film about friendships, winter landscapes and something as useless and necessary as poetry.

An unlikely relationship forms between two young patients in a hospital.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

Rina and Yaco are two single brothers who live in a town in the interior of Santa Fe and work together in the warehouse in front of their house. Every day seems the same: without leaving, almost without speaking. But today is the carnival dance and something can change.

A documentary about Néstor Perlongher. His life, his poems, and his activism in Argentina's Frente de Liberación Homosexual (homosexual liberation front).

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.