Hotel for Strangers

Story about the people around the circus and the unfortunate love of a young man an acrobat. Before the dispute escalates so much that, according to the old clown, Vincek ends up with a noose on his back and Lotyš in a bass, fate intervenes and the young acrobat is called up to the war, where he serves with the dragoons. After serving his time and being released into civilian life, he sets out to find the National with his beloved Nina. However, she has not been with the circus for almost a whole year. Her parents took her away and Vincek, to the chagrin of his friends and the principal, decides to go looking for her. After a long journey, he finds his beloved in the Russian Kuznecki circus, but she has changed a lot during the years of separation. A simple girl in love has turned into a calculating, ambitious woman who desires money above all. But Vincek doesn't have you.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

Life of Czechoslovak soldiers in a military unit for the so called "politically unreliable" - the Technical auxiliary battalions, aka "the black barons". Although it might seem like a political satire and it's mostly funny, it shows the reality and the absurdity of military service under the communist regime. Based on a novel by Miloslav Svandrlik.

Cast out by his father, young Ondrej joins the Order of the Teutonic Knights, where he is raised by strict monk Armin. After years of hardship, Ondrej escapes from the Order when he is wrongly punished, and sets out for his former home. Arriving to discover his father to be dead, Ondrej now not only assumes control of his father's properties, but seeks to marry his former stepmother.

Three separate short stories by Jan Drda from the collection The Dumb Barricade: The Dynamite Watchman, Hatred and Traces.

Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

In the aftermath of World War II, a soldier takes charge of a manor formerly owned by a German family and falls in love with the daughter, now a maid. Their relationship forces him to confront the tension between his love and his conscience.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

Bohouš Burda, a forty-year-old idealist disillusioned with city life and his failing marriage, abandons it all to run a mobile dental clinic in the mountains. He meets Terezka, who shares his yearning for a simpler existence, but even in remote nature they must confront unforeseen challenges.

A passionate communist worker is discouraged by the changing political climate and the failure of his peers to live up to his ideals.

The Mráz family is preparing for holidays. Parents are traveling to the spa and little Petr is going to the country to his grandparents. In addition, to the chaotic preparations, mother's friend is bringing a dog Blek. She wants Petr to look after it. Grandfather welcomes Petr and the dog with pleasure because he needs the ally against strict grandmother. Grandfather is not very skillful and thus grandmother often experiences troubles with his ideas.

Michal's father and his friends are stigmatized by their war experience and the post-war social deformations in which they took part either directly, or watched them cowardly and in silence. They are trying to repress their feelings of guilt and justify their behavior to the young generation with memories of their heroic war feats. Michal, however, does not want to have anything to do with their problems. He subconsciously perceives the unpleasant atmosphere in the family as well as his father's hypocrisy. After one of many quarrels with his father, he runs away from home, determined to go his own way.

An allegory set in an archetypal Czech village, it tells the story of what happens when a series of mysterious events take place, including the disappearance of the station master. While everything has a rational explanation, collective paranoia takes over and everyone's worst instincts are unleashed. Interrogations, disenfranchisement, and the search for scapegoats ultimately lead to murder. The movie was completed in 1969, but it was banned and not released till 1990, Evald Schorm who died in 1988 never saw it completed.