Vladimír Šmeral

A fiction piece centered around the Czech resistance to the Nazis.

In the 1600s, an overzealous clergy hauls innocent women in front of tribunals, forces them to confess to imaginary witchery, and engages in brutal torture and persecution of their subjects.

Michal's father and his friends are stigmatized by their war experience and the post-war social deformations in which they took part either directly, or watched them cowardly and in silence. They are trying to repress their feelings of guilt and justify their behavior to the young generation with memories of their heroic war feats. Michal, however, does not want to have anything to do with their problems. He subconsciously perceives the unpleasant atmosphere in the family as well as his father's hypocrisy. After one of many quarrels with his father, he runs away from home, determined to go his own way.

The likeable and charming Vanda Karhanová has problems in every job because of her appearance. So when she is about to start a new job, she decides to decisively prevent similar problems. She adjusts and dresses in a way that men do not notice her and do not pay attention to her. She has no idea that she will cause even more problems for herself, and not only because she now bears an uncanny resemblance to the millionaire Czech-American Ruth Baretová, who ran away from home to avoid getting married. First, Vanda is mistakenly arrested and ends up in the police station, so she cannot return to work. At the factory, they suspect her of having disappeared with a large sum of money that they had entrusted to her to deposit in the bank. Then the whole situation is complicated by the arrival of the real Miss Baretová.

A story of love and honor that takes place during the mid-nineteenth century during revolutions, as well as economic, political, and social hypocrisy. Two extraordinary but lonely artists share a passionate love, as evidenced by the preserved letters that they exchanged.

The invincible agent Cyril Juan Borguette alias W4C has been assigned a mission to go to a hotel in Prague, get hold of a saltcellar with a plan for the military exploitation of Venus hidden in it, and hand it over to the beautiful agent Alice. He will have to compete for the saltcellar with other agents working for the world's various greater and smaller powers. The head of the Prague counter-intelligence unit gets news of agent W4C's mission. Deficient in personnel, he nominates accountant Foustka as agent 13B. Mr Foustka takes his dog Pajda with him and the two head for the airport. Pajda helps him track down agent W4C in a classy hotel that becomes the battleground for the interests and plans of the secret agents from different countries, each trying to get hold of the precious saltcellar.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

An artist's studio is descended upon by a group of retired men and a young mother who agree to model in the nude for money. Comedy ensues as the students and the local bureaucracy react to the models, all in need of extra money. Several running gags border on slapstick as the officials and the students don't know what to do with the nude models.

Prague, the beginning of the 17th century. Rozina falls in love with Italian glass worker Nikolo, but after returning home, she gets a message that will never come to Prague. She falls for the promise of an older man to marry her, but when Nikolo does return, the tragic fate of Rozina is sealed.

The factory owner's son Oldřich missed his own wedding. He overdid his bachelor party and spent the night before the wedding in Mr. Šourek's carriage, who asked him in vain for his address. In the morning, the cabman went to the police for advice, but the passenger woke up and drove away with his carriage. He headed for his bride, but she was offended and threw him out. Oldřich also became hardened and declared that he would marry the first girl he met. The further development of events was ensured by Šourek's horse Karel, when he headed home, bringing Boženka, his master's daughter, to Oldřich's path. But she was not interested in the spoiled young man either. So Oldřich bet with her father that he would work hard for a month. If he won, he would win Boženka's hand, the cab, and the faithful Karel...

A remake of Vávra's 1948 atomic age thriller Krakatit. Engineer Prokop creates the devastating explosive “Krakatit” and soon confronts manipulative agents and imperialist conspiracies. Realizing his invention’s threat, he fights to prevent its misuse, risking everything to stop those who seek to exploit his epochal discovery.

Three Men Travelling is billed as a loosely related sequel to Tri chlapi v chalupe (1963), sending our country protagonists set out from their family nests in the village of Ouplavice into the big wide world. Grandpa Potucek, (Lubomír Lipský) and his son Václav (Jan Skopecek) take part in the cooperative's excursion to spa town Karlovy Vary, a Pilsen brewery and some agricultural enterprises in western Bohemia. During the course of a series of misunderstandings and merrymaking, grandfather Potucek decides he will not let problems with sick calves unsettle him, and that he will persevere in his role as the leader of the cooperative.

A detective story revolving around an ancient treasure from the ninth century, believed to have been destroyed during World War II, takes place in an archaeological environment. Its main character is, alongside Captain Exner, who is investigating a strange murder committed on the premises of a scientific institute, a young student at the Academy of Sciences and Arts of the Slovak Republic, Kamila Housková, who discovers that the treasure was not destroyed, but most likely stolen. The bright girl continues her search for the treasure against Captain Exner's will and leads the investigators to a trail that proves the connection between the lost treasure and the murdered woman...

This feature film based on the events of 1938 is a chronicle of the futile efforts of the Czechoslovak president Edvard Benes (Jirí Pleskot), politicians and ordinary citizens, to save the independence and the territorial integrity of the state from the advance of Hitler's Germany. On the 29th of March 1938 the leader of the Sudeten Germans Henlein (Werner Ehrlicher) has a meeting with Hitler (Gunnar Möller). Hitler orders him to intensify pressure on the Czechoslovak government. On the 24th of April in Carlsbad, the Sudetendeutsche Partei (Sudeten German Party) decides upon eight demands that are unacceptable to the Czechoslovak President, since they would ultimately lead to the break-up of the Republic. Benes still shows a certain willingness to negotiate, and Henlein resents this. The Germans are determined to make further negotiations impossible through incidents and violence.

This Czechoslovakian children’s film takes place during the last days of the Austro-Hungarian empire. The young son of a horse trainer loves nothing more than riding his horse, until he is stricken by polio…

Two young returnees from the First World War face a difficult future because they cannot find work. One eventually finds a job as an electrician, the other breaks into the Social Democratic press, where he gets the chance to watch up close how the Social Democratic leadership deceives its members and enters the service of the ruling classes. And a newly-trained journalist solves the problem of whether he should also adapt to the corrupt environment...

Mr. Benda, a married father of two children, works for a company that liquidates old banknotes. After one drunken party, he is visited by a painter who tattooed his back in drunkenness the previous night. The image tattooed on Benda’s back is considered the painter’s best work by the professionals.

Joseph Sheridan le Fanu's tale, "Inn at the Flying Dragon," brings dark fantasy, ghostly apparitions, and mysteries to the TV screen. It's part of his well-known collection, "The Dark Mirror," published a century ago, yet still captivating readers today. Bohumila Zelenková drew inspiration from this novella, not just for its mysterious and romantic elements but also for the characters' intriguing portrayal of the post-Napoleon era—a time when many sought greatness, even if it meant embracing deception.

A crime story about Western diplomats in Prague.

One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.

In a country whose people have just been successfully persuaded of their superiority and the justification for military expansion by the fiery speeches of a dictator, the bacillus of a highly destructive form of leprosy has spread. It is called morbus Tshengi, or popularly „white disease“. The only one who has developed an effective cure for it is a physician of the poor named Galén. But he refuses to reveal the secret of his cure as long as the powerful destroy human lives through wars.

The director and choreographer from Prague are preparing a show performance "Oriental Fairy Tale" - a ballet on ice with the participation of vocal and instrumental ensembles and pop singers. They are shooting their picture in Kazakhstan at the Medeo high-altitude skating rink.

Sixteen-year-old students of a grammar school are supposed to write essays on "Love". The class best student Andrea (Jaroslava Schallerová) writes about a patriotic love to a country as she has no experience with a partner love. She has been living alone with her divorced pretty mother Eva (Milena Dvorská), a dentist, for many years. Recently, however, Eva met her former school-days love at a graduates' party, nowadays a famous hockey goalkeeper Brukner (Frantisek Velecký). Also his marriage fell apart; he leaves the national team and decides to leave Prague for his home town and to share flat with Eva. He takes with him his son Petr (Oldrich Kaiser), in Andrea's age, who gets his last chance to finish a grammar school in the town.

Muž na radnici was a Czechoslovak television program which was broadcast in 1976. The program was directed by Evžen Sokolovský. In 2011, it was announced that the program, along with 17 others, would be released on DVD within three years.

A prince meets a young man to whom he bears a striking resemblance. The two exchange places and learn to be better people in the process.