The Sign of the City

An inheritance of millions brings the fun-loving Charlô (Irene Raveche) and her bad-tempered cousin Otávio (Tony Ramos) closer than they ever expected. The inheritance, which includes a mansion and a chain of clothing stores, stipulates that the assets remain in the family. And since no one is willing to give up their part they decide to share the mansion and the business, despite the mortal hatred they harbor for each other. Charlô’s adopted son Felipe (Edson Celulari) also becomes caught up in the situation. However, he turns against his mother and becomes Otávio’s right-hand man at the company.

Fátima Accioly is a young, callous woman who wants to be rich and successful at any price. After selling her family's house in the country, she heads to Rio and gets to know dress man César who is unscrupulous himself. Meanwhile, her mother Raquel stays behind without home and money, but finally tries to find her daughter in the big city. Both women come in contact with the rich Roitman family which changes their lives forever.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

Determined to secure the release of her father—imprisoned for advocating communism—Sílvia travels to Rio de Janeiro, where she finds work as a chorus girl at the Cassino da Urca. There, she meets and falls in love with a croupier named Tide. Sílvia becomes a celebrated beauty of Rio's nightlife but is blackmailed by a Nazi named Jofre; he promises to help free her father if she marries Michael, an Englishman from whom Jofre intends to steal a map to a uranium mine.

It tells the story of Chiquinha Gonzaga, a revolutionary musician who marked the history of music in Brazil, and challenged the social standards of her time. Chiquinha was raised very comfortably and had an excellent education provided by his father, Jose Basileu, who expected his daughter to be a lady of the imperial court. But after listening to songs played in a black yard and influenced by friends, such as composer Joaquim Callado, Chiquinha begins to make compositions mixing polka and lundu. By imposition of her father, Chiquinha is forced to marry Jacinto, with whom she has three children. However, Jacinto forbids her to play, and she decides to separate from her husband, going against social standards. Chiquinha, then, fights for his freedom to play and will live with the great love of his youth, João Batista de Carvalho Jr., with whom he has a daughter, Alice.

Inspired by the book of the same name by Paula Dip, this is a biography of the Brazilian writer Caio Fernando Abreu. With a mixture of languages inherent to Caio F.'s work - cinema, theater, music and literature -, the narrative line is conducted through testimonies from family, friends, editors and scholars who maintained a relationship with the author. And actors who interpret their texts.

In a fishing village, Vó Manuela, endowed with mystical powers, closes the body of her grandson, Nô, for love. But Eduarda's arrival completely changes the boy's destiny.

In Greenville, some families never lose their composure. This is the case with the Mendonça and Albuquerque families, who would never allow a "noble" member of their family to become involved with a sugarcane cutter.

The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.

The young and rich Patricia, daughter of Ambassador André Dumont's first marriage, is in love with and reciprocated by Luiz Carlos, a poor boy, son of the family's maid, Isolda. Whoever doesn't like to see her with the maid's son is her stepmother, Renata Dumont, André's wife. Renata is an ambitious woman who hides her humble origins and a secret from the past that unites her with Isolda. Career, she married the diplomat André, from a traditional family, with whom she had a son, Lipe.