The Flirtation of Girls

The correctional officer prefers good treatment with the female inmates, while the director prefers the use of cruelty and pressure, and there are four girls admired by the officer, and without intent the four girls ignite the correctional fire and it is an opportunity to escape. A disciplinary board is set up for the officer for his negligence and inability to control them. The man of the four girls encounters and discovers that among them is a girl resembling a rich girl from an ancient family who disappeared from years and the events continued.

Dr. Hamed decides to marry Ehsan. Ehsan travels with her parents to Hamed's town. Her mother is fed up with Hamed's family and opposes Ehsan's marriage to Hamed because they are below their level. Ehsan decides to run away and marry him, but he refuses. Dr. Hamed settles in his town. His sick mother needs a blood transfusion and her blood type matches Ehsan's. She is saved.

Uncle Abdel Fattah forces his nephew Anwar to marry so that he does not deprive him of the inheritance. Anwar does marry, but one day he goes with his friend to a cabaret and meets Tahia, the dancer, who brings him back home drunk. The uncle comes to confirm his nephew's marriage and finds Tahia, who claims that she is his wife. When his real wife appears, he introduces her as his friend's wife.

Laila is a rich rural girl raised by her aunt who succeeds in marrying her off to her son, a doctor who just returned from England. But the doctor lives a reckless life, and he looks down on Laila who turns into a beautiful modern girl after moving to Cairo.

Badawyia is a younger dancer who dreams of stardom. She meets the young doctor, Elwy, and they fall in love. A director asks her to be the star of his new movie, but when Elwy asks her to marry him, his father disapproves.

A young man and a girl get married without love. They are visited by the wife’s cousin and the husband’s cousin. The wife seizes this opportunity and approaches the husband’s cousin to make her husband jealous. The husband also courtes the wife’s cousin to make her jealous.

A woman seeks revenge on the man she thinks killed her husband but falls in love with him in the process.

Laila is a beautiful and delicate woman. She lives with her grandfather in the Grand Palace, and he forbids her from going out or meeting strangers. The Pasha travels for Hajj, leaving Laila with her uncle to take care of her. Anwar and his colleague Shafshaq come to fix the broken phone in the palace. Anwar falls in love with Laila, believing that she is a housemaid, and they agree to get married.

The story of a young man from a lower-class family who falls in love with a wealthy girl. Despite the class difference and the obstacles they face, their love endures, and they must navigate the challenges posed by their families' social disparity and the economic hardships of the time.

Abdel Sabour was a thief and a smuggler known as The Beast to the people in one of the villages of upper Egypt; everyone was afraid of him, including the police. He enjoyed the protection of Redwan Pasha, who in turn used him during elections to eliminate his rivals. Officer Raouf Saleh was sent to the village with his wife and son with the assignment of arresting The Beast. However The Beast and his gang worked together from the beginning trying to dispose of the officer and his family in any way possible.

Anwar Wagdi plays vagabond musician Alfredo, who comes across an abandoned baby in the night. He tries his best to get our heroes someone to take it and raise it. When that fails, he has no choice but to raise it on his own. He names the child, Dabab, after the beautiful woman he's encountered on the street. Years pass and Dahab grows up to be the Faryuz, who is actually cute, talented and far less grating than our Ms. Temple. Many Chaplinesque hijinks ensue as Alfredo and Dahab play music on the streets, try to scam free food wherever they can and convince the owner of a successful nightclub to let Dahab perform.

Replay a play for the movie Spinning Girls, the last of the works of the late genius Naguib Al-Rihani in 1949, which was shared by a championship of stars of that time, including Laila Murad, Anwar Wajdi, Youssef Wahbi and the musician Mohamed Abdel Wahab. His trip in her father's palace.

Hussein and Laila are children who pledge to love. Circumstances separate them and they meet after they grow up and their feelings are renewed, but Laila is exposed to an accident that loses her sight, so she decides to sacrifice her love so that Hussein can avoid life with a co-wife.

Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.

Henry Barakat directed adaptation of Dumas' Count of Monte Cristo.