Lola

Observation. Consumption.

Amanda is a melancholic prostitute, in love with a regular client, a disenchanted doctor. Since the day Amanda met this man, he has become, without knowing it, her only client. This explains why Amanda, since then, has been stealing suitcase in a bus station in order to live. One day Amanda steals a suitcase which is different than the other. Its content will change her life.

People taking the last subways in working days always wear crumpled clothes. Sitting in a nearly empty car, they look at each other, they get a glimpse of each other. After another day with lost chances, they only expect to arrive home. Tomorrow will be another day.

A quietly comic look at a Madrid housewife's attempt to escape from her mundane and tedious existence. Encountering mostly impersonal bureaucracy, she has no specific plan for what she wants to do, just the fervent hope that she will find the adventure she's so desperately seeking.

A Spaniard in Argentina becomes aware of his approaching death while staying at a hospital, so he decides to run away from Buenos Aires and start a trip up North, heading nowhere in particular.

A life project based on absence. Lola works in a roadside bar while she waits for her boyfriend Damián to get out of prison. When one day, now free, he appears before her, the situation shows that the relationship no longer exists. That the only real thing is loneliness. Damián packs his suitcase.

An early 20th-century sultan is introduced to the cinematograph with the help of a former operator for the Lumiere brothers.

A hybrid film that paints a collective portrait of people who share a strange dimension of time within the silence of the asphalt wilderness – at motels, on the side of the road, and in tire shops, savoring the pure joy of the present moment while longing for loved ones far away.