Sunday Afternoon

World peace is at stake if a spy-ring obtains the electronic device

Irene is an agent for an insurance company. She is given the job of investigating the disappearance of an elderly librarian in a provincial town. During her investigations she meets a history teacher - Ricardo - who knew the librarian and is interested in local legends. Irene happens to hear about a very old medieval castle which, according to legend, has a secret entrance that opens mysteriously on Christmas night as the clock strikes twelve.

Mitó lives in a small village and is the son of the local Comunist Party leader, she is 18 years-old and is about to graduate from the high-school she must attend at Beja - the nearest town. News that she killed her German boyfriend, at 4 a.m. on a desert road, do not excite much the editor of a Lisbon newspaper. He sends in a tyro reporter, Joaquim Peixoto, just in case. The young man, already considered hopless in his profession, will uncover more than a sex scandal to be used for political purposes. Written by Artemis-9

In the summer of 1870, Raquel, who owns a farm, and lives secluded in her mansion with an old butler and a handful of servants, feels proud when an odd acquaintance comes by. Adriana and her daughter-in-law, Ermesinda, a very young girl, just happen to be visiting - the second time in 15 years for Adriana, and the first time for the teenager Ermesinda. The meeting seems to be pleasant, and yet, for reasons untold, there is coldness and reserve between Adriana and Raquel. Their ambiguous relationship will be revealed, when by accident old wounds are reopened.

The film follows the process of occupation of Quinta da Vargem, in Unhais da Serra, by salaried workers, a process that would lead to the nationalization of the Quinta. Ocupação de Terras na Beira Baixa (Land Occupation in Beira Baixa) is part of a series of films produced by the Cinequanon film cooperative in Unhais da Serra during the period of the Agrarian Reform.

Black and white with color photography is used to tell the story of 12 would be demonstrators waiting for re-enforcements to show them the way. the group spends their time talking about love, religion, sex and the war. The meeting degenerates into a drunken orgy before the police mercifully break up the group and stops the film from continuing. The film was banned in Portugal. - Dan Pavlides, Rovi

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnation Revolution", as that period would be later known.

In the gardens of a large village house belonging to a reclusive architect, a hand is found. In a sign placed at the gates of the property, the architect annouces he will return it to whoever proves to be the owner.

The tobacco industry in Portugal through time and the full process, from plantation of seeds to its vanishing in smoke.

End of the 20th century. A group of scientists executes a project aiming to prevent a nuclear war with the planet Khalom. From their experimental project, involving manipulating events in the past, two mysterious human creatures travel between the present and the 19th century, and back - getting in love with four different persons.

In the time of King Leonardo, a war and the plague that accompanied it depopulated Traslândia. Ignoring these tragic events, Queen Isménia, Princess Camila and lady-in-waiting Narcisa, coming from a distant kingdom, arrive in Traslândia, when the war approaches the end.

Maria, a blind girl apparently raped by her stepfather, is held in an isolated and dilapidated hospice, desperately awaiting a miracle by Our Lady of Fátima. Turned over by Angela, her aunt, into the care of Dr. Firmino, an imposing doctor, she will suffer moments of despair, grace, and fear, among beliefs, phantoms, and revelations.

José and Maria, a young, devout couple in a remote Portuguese fishing village, take a vow of chastity on their wedding night to honor a religious pact. Their commitment is pushed to the breaking point when they rescue a mysterious, wounded stranger and bring him into their home. As the outsider’s presence ignites repressed desires and jealousy, the couple's sacred promise leads to a violent confrontation with the local community's superstitions.

A Visigoth count conquers a small village town from the Moors in the Lusitanian mountains, only to loose his possessions through the mysterious workings of a woman from parts unknown.

A short film from the 1960s, a production by Francisco de Castro, Albufeira is a film promoting tourism in the Algarve city (such as Lisbon, Jardim da Europa), showing, however, the authorial and experimental brand of António Macedo, a of the founders of the Portuguese Cinema Novo, always inclined to escape the canons of production.