Cremilda Gil

Reflections on life and death unfold through the eyes of Jorge, the head doctor of the Haematology Department, whose world is plunged into despair when he falls in love with Clarisse, a woman suffering from advanced leukemia.

Ti Miséria has a supernatural power. When Death comes to take her, she traps her in a pear tree. But without death the world doesn't work. Those whose work depend on Death, want it to be freed from the tree. It is then that Death makes a deal with Ti Miséria.

In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.

A portrait of the everyday life of a typical middle-class family in parallel with the fall of the "Estado Novo", the 48-year dictatorship led by Salazar. The daughters' conflicts and frustrations with their parents, their grandmother and their maid find an obvious echo in the country's collective events. The Carnation Revolution is about to explode.

A Dutch woman visits a girlfriend in Portugal, but first spends a few days in a deserted villa by the sea. In flashbacks it becomes clear that her life is dominated by fear. She slowly starts to bring more order to her existence.

The vicissitudes of a bourgeois family and the conflicts emerged between brothers - Dr. Manuel Bernardo, wise and weighted, and Zecas, libertine and Capricious - who ignore his kinship. Two girls mark the sentimental vector: one defends the danger that threatens the threat, the other does not know how to react and is the victim of her ingenuity, a dream of restless youth ...

An arms smuggler organization uses a pirate television station to spread dissention among representatives in an international conference in Portugal. A French diplomat travels to Macao, hoping to locate a sexy spy who had stayed in Lisbon.

In a mental institution the patients see themselves as people like Jesus, Lazarus, Martha, Mary, Adam, Eve, Sonia, Raskolnikov, Aliosha e Ivan Karamasov, a Philosopher, a Profet, Santa Teresa d'Avila, reciting the Divine Comedy.

Two neighboring villages fight over control of a stream to water their lands.

The anniversary, celebrating the thirty years of the marriage of Francisco and Leonor Teixeira, celebrated on their family farm. It is time to party and everyone party with the Teixeira's. Well, almost everyone. Ricardo, the youngest son, does not speak with his father for five years.

During a tour of the province, someone mistakenly leaves a baby in a singer's car without him noticing. António decides to take the child in, with Madalena, a fellow artist. But the presumed mother, claiming it was a mistake, enlists the help of her brother, a police officer, which leads to a chase to Porto.

In the forties, in a little settlement lost amidst the mountains of Trás-os-Montes, Leonardo tries to survive by buying and selling marten and fox furs, dreaming of the day he’ll close a big deal.

Joana lives in a small and remote village where people are very primitive and religious. When accidents start happening that involves her, people slowly start believing that she is possessed by the devil.

Nogueira, a man in his fifties, is a relic of times long past. While the youngsters at the school where he works as a caretaker still think the world is their oyster, Nogueira knows that, for him, most doors have long closed.

An adaptation of two short stories by Passos Coelho, essentially shot in a valley that is a territory threatened by floods, the film is a cinematographic chronicle of the rural worker in the area of Montemor-o-Velho.

The young girl, Antónia Margarida Castelo Branco, is handed over by her mother to Brás Telles de Meneses because of the obscure interests between rural aristocratic families in the North. Brás is a ruined man, a bohemian with a reputation for violence and erratic behaviour. Antonia’s fortune is the first sacrifice made by the young wife. Fascinated by the man who humiliates and ill-treats her, she follows him in a pilgrimage to increasingly barren lands, to increasingly less hospitable houses.

Miguel (Luis Miguel Cintra) is lucky that his income will only level off if he neglects his business as a financier, and his wife and family will be well supported. Why? Because he has begun hearing noises that no one else hears, noises that bother him a great deal, and that make it impossible for him to bear human society. His wife (Jessica Weiss) is thoroughly put out by this radically changed behavior in her formerly good husband, but though she considers leaving him, she stays by his side. Deep in the mountains, Cecelia (Rita Dias), a devout, pure young cowherd, has been brutally raped by an old man. Her boyfriend (Pedro Hestnes) has killed the rapist, and fled the area. As a result of the rape, Cecelia is pregnant. One day, while driving in the mountains, Miguel gives Cecelia's boyfriend a ride. The two of them chance upon her sitting amid the rocks with her infant baby.

Ambulatory history, freely inspired by Georg Büchner's biography (1813-37) and the reasons that led him first to political intervention and then to strict isolation. With students of unidentified present time (1968? 1970?), the themes developed, in Büchner, are triggered by the publication of "The Messenger of Hesse", a pamphlet addressed to the peasants, urging them to revolt. Their misunderstanding, as well as the repression of the young revolutionaries, leads Büchner to a particularly skeptical and painful attitude...

A Marialist nobleman falls in love with a fado singer, who puts an end to the ephemeral relationship, accepting the love of a teenager, recently arrived from Africa.

Set in Alentejo in the mid-19th century, in the period following the Liberal Wars. In a sparsely populated and almost wild land, without shadow and without law, violence dictates the existence of Bando do Zarolho.