Sirdar's Reception at Guildhall

A magical glowing white motorcar ignores policemen, drives up buildings, flies through outer space, and can transform into a horse and carriage.

A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead?

Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes.

A series of actuality films showing the procession to mark Queen Victoria's diamond jubilee.

An old proprietor is startled and haunted by the strange happenings inside his curiosity shop.

'The White Eyed Kaffir' performs with top hat.

A playful variation on A Soldier's Courtship, producer Robert W. Paul's smash hit from the previous year, this film spies on a young man trying to tease a kiss from a young girl doing the washing at a tub. For his efforts, the man receives a dunking in the tub himself and much hilarity follows.

A Swiss tourist knocks the head off a negro waiter.

A 19th century wire-walker performs his stage act on a woman's clothesline. An early comedy by pioneer director Robert W. Paul.

A panorama shot of the Norwegian town and harbour of Hammerfest. Believed to be the earliest surviving film of Norway.

A man strolling in a city street is attacked by three assailants. A policeman comes to the rescue and the men struggle with each other.

The scene is a railroad track on the side of a steep mountain, with a tunnel in the background, toward which a train is running at a high rate of speed. At this instant the audience is appalled at the sight of a second train rushing out of the tunnel. Both trains are on the same track and traveling toward each other at a high rate of speed. They collide. Cars and engines are smashed into fragments and thrown down the steep incline. (Edison Catalog)

Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.

A comic short in which a tramp attempts to ride a bicycle, tumbling repeatedly before giving up in despair. A skilled rider then takes the stage, performing rope-jumping tricks while balanced on the wheel. Often attributed to British film pioneer R.W. Paul. Although Thomas Edison has sometimes been mistakenly named as director, he was never credited as director on any films.