Dieudonné - Politics

In Julius Amédée-Laou's biting dramedy, a supposedly joyful interracial wedding descends into chaos when long-buried prejudices and family secrets rise to the surface. Told through the cocky lens of the bride's younger brother, what begins as a lighthearted summer affair turns nightmarish as scandal threatens to destroy the unlikely couple's big day.

When Valérie's husband Yves confesses he's in love with another woman, she happens into a judo club and begins lessons. She likes it, she's a natural, and she's attracted to Bruno, the quiet instructor. He likes her as well, but sees social class as a barrier, and Yves never seems to be too far away. Valérie's two close friends have their own stories: Annette is continuously looking for a husband, with little luck. Clara cares more about wealth and power, and takes up with the country's finance minister, an older man who flips for her. Meanwhile, Yves's lover doesn't seem in a hurry to leave her husband, so Valérie looks good to him from time to time. Will Bruno ever make a move?

Filmed at the Théâtre de la Main d'Or on October 22, 2010. Dieudonné returns with "Mahmoud", in what can be described as "a contemporary artistic testimony with a strong humorous content." He tells us about the incredible events that led him to meet the Iranian president, Mahmoud Ahmadinejad. He takes us back in time and transports us to the 16th century on a plantation in Martinique to discuss the courteous relationships between masters and their slaves. He also talks about the all-powerful and revered field of medicine... only to mock it, of course. And it feels good!

History's favorite Gauls assist Queen Cleopatra when she wagers that the Egyptian people can build a palace for Julius Caesar in just three months.

Dieudonné, father of little Judas, talks to us about Jesus. What could be more natural! After all, Dieudo grew up in the light of Christ and, like a mirror, reflects his personal vision of Jesus back to us. A Jesus who is both the Son of God for Christians and also a prophet of Islam, foretelling the arrival of his messenger, Muhammad. For Dieudonné, Christians and Muslims share a common destiny: to laugh together, and to do so heartily!

Patrick and Sandrine Boulard have been separated for several years now. Patrick cannot get over the breakup and breaks into his ex-wife's house one night. She files a complaint. The trial begins. After leading the public to believe that the show had been canceled, on the pretext that he had lost his "license to make people laugh," Dieudonné explains his weariness with controversy and his decision to choose a lighter subject. He thus reprises the character of Patrick, drawn from Patrick's divorce, and has the judge, the lawyers, and Patrick himself speak during the trial. This is followed by a series of sketches dealing, as a whole, with the relationship between men and women.

Fimed at the Théâtre de la Main d'Or. Dieudonné celebrates the 100th anniversary of the Law on the Separation of Church and State, which was intended to dissolve sectarianism and lead the Republic toward universalism, only to observe its failure... while attempting to analyze the reasons why with humor.

From politics to politicians, from the media to the justice system, from your neighbor to even himself, Dieudonné really targets everyone in an uncompromising portrait of our society, tinted with vitriol.

Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...

Show recorded at the Opéra Comique in Paris on March 6, 1995 for the benefit of the Restos du Coeur.

This is the story of two men confronted with the ordeal of cancer. Each approaches the illness in a very different way. One, Bruno, submits religiously to mainstream medicine by accepting chemotherapy. The other, Olivier, encouraged by his friend Dieudo, travels to Africa to be treated by a healer. This film pits two approaches to medicine against each other through the lens of satire.