Confessions d'un tueur

When Valérie's husband Yves confesses he's in love with another woman, she happens into a judo club and begins lessons. She likes it, she's a natural, and she's attracted to Bruno, the quiet instructor. He likes her as well, but sees social class as a barrier, and Yves never seems to be too far away. Valérie's two close friends have their own stories: Annette is continuously looking for a husband, with little luck. Clara cares more about wealth and power, and takes up with the country's finance minister, an older man who flips for her. Meanwhile, Yves's lover doesn't seem in a hurry to leave her husband, so Valérie looks good to him from time to time. Will Bruno ever make a move?

Filmed at the Théâtre de la Main d'Or on October 22, 2010. Dieudonné returns with "Mahmoud", in what can be described as "a contemporary artistic testimony with a strong humorous content." He tells us about the incredible events that led him to meet the Iranian president, Mahmoud Ahmadinejad. He takes us back in time and transports us to the 16th century on a plantation in Martinique to discuss the courteous relationships between masters and their slaves. He also talks about the all-powerful and revered field of medicine... only to mock it, of course. And it feels good!

The unthinkable has finally happened, and a TV crew will be there to witness the event: Alexandre Goübrick, son of legendary filmmaker Roman Goübrick, has decided, twenty-five years after his father's mysterious disappearance, to complete the famous director's ultimate masterpiece. Alexandre sets out to find his father's old crew, and desperately tries to find the film's missing piece: the last shot.

History's favorite Gauls assist Queen Cleopatra when she wagers that the Egyptian people can build a palace for Julius Caesar in just three months.

Patrick and Sandrine Boulard have been separated for several years now. Patrick cannot get over the breakup and breaks into his ex-wife's house one night. She files a complaint. The trial begins. After leading the public to believe that the show had been canceled, on the pretext that he had lost his "license to make people laugh," Dieudonné explains his weariness with controversy and his decision to choose a lighter subject. He thus reprises the character of Patrick, drawn from Patrick's divorce, and has the judge, the lawyers, and Patrick himself speak during the trial. This is followed by a series of sketches dealing, as a whole, with the relationship between men and women.

Fimed at the Théâtre de la Main d'Or. Dieudonné celebrates the 100th anniversary of the Law on the Separation of Church and State, which was intended to dissolve sectarianism and lead the Republic toward universalism, only to observe its failure... while attempting to analyze the reasons why with humor.

From politics to politicians, from the media to the justice system, from your neighbor to even himself, Dieudonné really targets everyone in an uncompromising portrait of our society, tinted with vitriol.

The story of a guy who has to pay back 7,000 euros in one day.

Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...

Show recorded at the Opéra Comique in Paris on March 6, 1995 for the benefit of the Restos du Coeur.

This mockumentary follows the world's worst boxer and the events that led to his meteoric rise in the year 1969.

Following a tragic news event, Dieudonné portrays a dozen characters who, in turn, give their version of the story.