What the Daisy Said

Geoffrey Tempest is desperately in love with aspiring writer Mavis Claire, a tenant of his boardinghouse. Unable to marry her due to his poverty, in his anger, he curses God for abandoning him. Soon, Geoffrey meets Prince Lucio de Rimanez, a wealthy, urbane gentleman who informs Geoffrey that he's inherited a fortune, but that he must place himself in the Prince's hands in order to enjoy the fruits of his inheritance. What Geoffrey doesn't know is that Prince Lucio is actually Satan.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.

A naïve country girl is tricked into a sham marriage by a wealthy womanizer, then must rebuild her life despite the taint of having borne a child out of wedlock.

France, on the eve of the French Revolution. Henriette and Louise have been raised together as sisters. When the plague that takes their parents' lives causes Louise's blindness, they decide to travel to Paris in search of a cure, but they separate when a lustful aristocrat crosses their path.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

A re-edited version of the fourth episode of Intolerance (1916); two youth are made homeless by a strike, and struggle valiantly to survive their desolate situation, which worsens as reform-minded citizens remove the couple's child from their care and the young father is falsely accused and convicted of murder.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.

An episodic dramatization of the 18th President of the United States' life, including his early years, affair with Ann Rutledge, courtship of Mary Todd, debates with Stephen A. Douglas, the election of 1860, his presidency during the Civil War, and finally his assassination at Ford's Theater in 1865.

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

John Howard Payne leaves home and begins a career in the theater. Despite encouragement from his mother and his sweetheart, Payne begins leading a life of dissolute habits, which soon leads to ruin and misery. In deep despair, he recalls better days, and writes a song that later provides inspiration to several others in their own times of need.

Nora, the waif, is forced to attend school. She warms to her teacher for the way that he defends her against the taunts of some of the students, but when she's made to wear a dunce cap, she flees the schoolhouse in shame. Unsupervised by her alcoholic father, Nora becomes a determined truant, wandering the town during school hours. There she catches the attention of a huckster, who convinces her that they will run away and be married. The schoolmaster, meanwhile, preoccupied by Nora's absence, leaves his other students to go find her. He encounters her at a crossroads, being spirited away by the huckster, and calls the man's bluff by saying that he'll find them a minister.

In the Kingdom of Never-Never Land there live a great Lord and Lady, each presiding over their own domain. This great Lord goes for a stroll through his estate and coming to the border of his own land he is struck by the entrancing beauty of the contiguous estate, so like his own, that the inclination to intrude is irresistible. His peregrination is halted by the appearance of the great Lady, who is indeed as fair as the flowers that clothe her land. He introduces himself and invites her to stroll with him in his gardens. She is in like manner entranced by the beauty of his possessions. How alike in beauty are they; a veritable fairyland. If they were only one, for it seems they should be. This thought is mutual, and the Lord proposes a way, a marriage, and so a betrothal of convenience ensues. They know nothing of love and so are content in the anticipation of being Lord and Lady of all Never-Never Land.