Drifters

Marionette parody of Charlie Chaplin.

In this parody of Sherlock Holmes, the Great Detective goes to an opium den of inequity in the dangerous London district of London and challenges Tong assassins in order to rescue a woman.

In this delightful fantasy adventure, a mild-mannered writer of adventure stories for girls finds himself presented with an intriguing proposition from an elderly fan. She suggests that they conspire to steal a secret whiskey formula from ruthless distillers, who themselves stole it from her family in years gone by. With the recipe back in hand however, it's not long before they attract attention from the Inspectors of Scotland Yard.

Documentary about shipbuilding on the Clyde. In 1960, Glasgow and other towns and ports on the River Clyde, on the west coast of Scotland, were still one of the world's great centres of shipbuilding. The film gives an idea of the business of building a ship - the largest moving thing made by man - from the naval architects who design her to the workmen, the shipbuilders in the yard, through to a ship's launching.

Filmed in Uganda, Man of Africa was assembled by legendary documentary producer John Grierson. The film depicts the mass migration of the Bakija and Batwa tribes to a new territory after the natural resources of their native soil has been depleted. The pro-ecological message is always present, but never so much as to degenerate into fatuous speechmaking. As a means to introduce the semblance of a plot, writer/director Cyril Frankel concentrates on the trials and tribulations of clerk-cum-farmer Jonathan (Frederick Bijurenda) and his native sweetheart Violet (Violet Mukabuerza). Print quality in Man of Africa varies from adequate to murky.

The history of Scotland and the factors that have shaped the character of its people.

1935 documentary about the hard working life of Welsh coal miners.

Ambitious documentary chronicling the cultural life and religious customs of the Sinhalese and the effects of advanced industrialism on such customs.

This documentary short examines the special train on which mail is sorted, dropped and collected on the run, and delivered in Scotland on the overnight run from Euston, London to Glasgow.

Ada Shore (Diane Hart) arrives at Skerryvore University in Scotland in search of her long-lost uncle Connell O’Grady (Joseph Tomelty), who was once a subversive Irish poet but is now working under an assumed name as a University porter. Ada is mistaken by Principal Archibald Asher (Patrick Barr) as his new secretary, and she goes along with the impersonation. Archibald and Ada fall in love, which incurs the disapproval of the puritanical Professor Hayman (Duncan Macrae).

Animated shapes dance to Cuban music. This was one of the first animations to be painted directly onto the film.

Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film printing and color grading ever attempted. Animated words and patterns combine with the live-action footage to create images as complex and multi-layered as a Cubist painting. Music was provided by the Cuban Lecuona Band. With its dynamic rhythms, the film seeks (in Lye’s words) to convey “a romanticism about the work of the everyday in all walks of life."

An Irish "oracle" foretells the next day's track results to a newspaperman, resulting in a national uproar.

At Balloch Moss mine in Scotland, water comes through a seam bringing a torrent of mud into the mine and flooding the pit shaft, resulting in 118 men being trapped, with nine missing. The only means by which the rescue team can bring the men out is through some old abandoned workings which are now full of gas and thus will cause delays in any rescue attempt.

Drama-documentary, reconstructing a real incident in which a trawler got into difficulties in a North Sea storm. Released 7th March 1938.

Grierson set out to make "propaganda," and this film--with it's voice-over proclaiming the great value of the British industrial worker, without a hint of ambiguity or doubt--fits that category well. The authoritatarian narrator feels out-of-date and unsophisticated, but the footage is well shot and interesting, and the transparency of the propaganda aspect is almost a reflief at a time when so many films have hidden agendas.