The Face of Scotland

Peter and his friends find unexpected and exciting adventures when all their wishes are granted by a magic marble.

Weiss’s classic B&W agitprop short made after his escape to London just ahead of the Nazis. He carried with him three reels of material for his unrealized film ‘Dvacet Let Svobody’ (‘Twenty Years of Freedom’) i.e. 20 years of the existence of independent Czechoslovakia from its 1918 founding to 1938 when the Munich Agreement dissolved it. In English with poetic narration written by C. Day-Lewis (father of Daniel Day-Lewis).

A short documentary to demonstrate what can be done with Technicolor film and to show various other colourful products.

Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work.

A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.

A tribute to the courage and resiliency of Britons during the darkest days of the London Blitz.

A Defeated People is a 1946 British documentary short film made by the Crown Film Unit, directed by Humphrey Jennings and narrated by William Hartnell. The film depicts the shattered state of Germany, both physically and as a society, in the immediate aftermath of World War II. The narration explains what is being done – and what needs to be done – both by the occupying Allied forces and the German people themselves to build a better Germany from the ruins.

Rainbow Dance is a 1936 British animated film released by the GPO Film Unit. This is Lye's second film. It uses the Gasparcolor process.

1935 documentary about the hard working life of Welsh coal miners.

Ambitious documentary chronicling the cultural life and religious customs of the Sinhalese and the effects of advanced industrialism on such customs.

This documentary short examines the special train on which mail is sorted, dropped and collected on the run, and delivered in Scotland on the overnight run from Euston, London to Glasgow.

Grierson set out to make "propaganda," and this film--with it's voice-over proclaiming the great value of the British industrial worker, without a hint of ambiguity or doubt--fits that category well. The authoritatarian narrator feels out-of-date and unsophisticated, but the footage is well shot and interesting, and the transparency of the propaganda aspect is almost a reflief at a time when so many films have hidden agendas.

The occupation of the Channel Islands.

A housewife galvanises her docker husband to take an interest in more important matters than the football pools.

A 1940 black and white film, production sponsored by the Colonial Empire Marketing Board. 'The East African colonies are introduced as representative examples of the Colonial Empire. A tribal dance hints at the "life of fear and uncertainty" replaced by British rule, a village's "squalor" the need for continued war on "ignorance, poverty and disease." "Much can be achieved by money and the initiative of the White Man:" film hints at hydro-electric schemes, modern harbours (Mombasa), roads, bridges etc and illustrates in more detail hospital expansion; tsetse fly research and control; relieving malnutrition; agricultural improvement; education (primary school; Makerere College)." - Abridged version of synopsis on colonialfilm.org

A doctor talks about the number of injuries and deaths resulting from automobile accidents.