Skopje Journal #4

A TV drama set in a brick factory.

A tragicomedy on displaced people in the post-Communist era. Its protagonist are mostly oldtimers from the circus world and the variety stage. When the circus burns down and the "last performance" ends in tragedy, the fault for the loss is laid upon corrupt officials and smalltime gangsters. Veteran screen star Meri Boshkova - who played the title role in the first Macedonian feature film made, Frosina (1952) - can be seen in the role of Mimi, a woman at the dumpyard who lives with her dreams.

The inhabitants of a small village in a backward area of Macedonia earn their living by sending their men abroad in search of employment. Three young girls, named Elica, Maria and Nikolina live and work as schoolteachers in the village. Each of them try to make sense of their lives, in that situation where it is imposed on them. In the village the greatest problem is the supply of water. Spring water is carried by Marko from the distant mountains Marko is falls in love with the poor girl Kate...

A day before the earthquake in Skopje, Wily Muller, a German conductor, while passing through the concert meets a young girl Jana, a student from Skopje. After several years they meet again at the "Solidarity Meetings" event, which is held in Skopje, where Wily Muller is a conductor at a concert held on that occasion. Those several days, spent together with the conductor, for Jana mean fulfillment with a kind of reminiscence of her family tragedy experienced during Skopje's earthquake, and also a wondering and search for a way of starting life again, which stopped on the day of the earthquake. Although the possibility of going with Muller is very attractive, Jana stays in Skopje. Her place is beside the young man whom she loves and belongs to, with whom she is related with true love...

Young scientist Zare and his wife, a theater costume designer Mira, live in a rented apartment where they were under the pressure of curious and disturbing neighbors. Once Zare was given the keys of the Ethnographic Museum in Ohrid in order to sort out the situation in this museum, this means escape for the family.

A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.

A film that presents the method of cultivating the poppy, a plant from which, with further processing are obtained opium and numerous medicines necessary for health therapy.

The first Macedonian TV drama produced by TV Skopje.

The journal covers the preparations of Skopje residents for the New Year's Eve 1964, as well as the celebration itself in tents, homes, and the "Metropol" restaurant.

The film takes place in Skopje in the summer of 1963, just before the catastrophic earthquake.

After completing their education at the Teacher School in Ohrid, the twelve newly graduated teachers come to the village of Papradnik, in the Debar region of Macedonia, to pass on their knowledge to the students.

Macedonian TV movie.

A documentary about ten years of education, science and culture in the People's Republic of Macedonia.

Short documentary about the promenade along the Vardar river in the downtown of Skopje.

Macedonian TV drama.