Dimitrie Osmanli

A TV drama set in a brick factory.

The inhabitants of a small village in a backward area of Macedonia earn their living by sending their men abroad in search of employment. Three young girls, named Elica, Maria and Nikolina live and work as schoolteachers in the village. Each of them try to make sense of their lives, in that situation where it is imposed on them. In the village the greatest problem is the supply of water. Spring water is carried by Marko from the distant mountains Marko is falls in love with the poor girl Kate...

A film that presents the method of cultivating the poppy, a plant from which, with further processing are obtained opium and numerous medicines necessary for health therapy.

A day before the earthquake in Skopje, Wily Muller, a German conductor, while passing through the concert meets a young girl Jana, a student from Skopje. After several years they meet again at the "Solidarity Meetings" event, which is held in Skopje, where Wily Muller is a conductor at a concert held on that occasion. Those several days, spent together with the conductor, for Jana mean fulfillment with a kind of reminiscence of her family tragedy experienced during Skopje's earthquake, and also a wondering and search for a way of starting life again, which stopped on the day of the earthquake. Although the possibility of going with Muller is very attractive, Jana stays in Skopje. Her place is beside the young man whom she loves and belongs to, with whom she is related with true love...

The first Macedonian TV drama produced by TV Skopje.

The journal covers the preparations of Skopje residents for the New Year's Eve 1964, as well as the celebration itself in tents, homes, and the "Metropol" restaurant.

The film takes place in Skopje in the summer of 1963, just before the catastrophic earthquake.

A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.