Escamillo tiene la solitaria

An artist watches as musical instruments come to life and St. Cecile appears. Segundo de Chomón's as director is speculative.

A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.

Helmed by Giovanni Pastrone, with Segundo de Chomón ably handling the stop-motion animation segment, The War and the Dream of Momi is equal parts patriotic pageantry and eye-popping puppetry.

The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

The devil performs his magical powers.

A film based on Gabriele D'Annunzio's novel The Flame. Pina Menichelli plays a vamp who ruins a painter's life just for the fun of it.

A magician charms a caterpillar and turns it into a butterfly woman. This film is a blatant remake of Georges Méliès's "La Chrysalide et le Papillon d'or" (1901).

A woman imagines the revenge of a gypsy that she sent away. This piece is told in multiple scenes, in an increasingly artificial world, as the venue shifts from a realistic courtyard to a wild, stagebound prison in which various stage monsters appear.

A female magician presents several impressive metamorphoses, combining stop-motion animation and camera tricks.

Rising from a stage are two vases which separate to reveal a female dancer behind each of the vases. They create magical circles of flowers from which other women emerge. The dancers construct an elegant floral display, in the middle of which a miniature dancer performs. Another circle of flowers is brought forward on the stage, toward the camera, and in the circle are shown a series of women. The original pair of dancers conclude by twirling their parasols.

Fascinating views of Toledo: Bridges, elaborately decorated halls and other architectural highlights that appear to date from as early as the 8th century.

This is a mesmerising little short that employs a peculiar bird’s eye view of a mischievous devil who dances around, performing strange tricks and making sexy ladies appear out of nowhere. The colourful visual effects are very impressive for the time.

"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.

“Music Forward!” is the order given by a lady in Colonial costume, and in march a group of five musicians, working industriously at their instruments. The directress stands them in a row, and taking the head off each, throws it onto a huge music staff and each becomes a note of the scale. The whole bodies appear again, after which the manipulator seems to wrap them up in a large sheet of music, which is then shown to contain nothing. The paper is rolled up again, and a cane is held, perpendicularly, in a horizontal position to the sheet.

1904 journalistic actuality.

Early short showing the titular park in around 2 minutes.