Le Voleur invisible

An artist watches as musical instruments come to life and St. Cecile appears. Segundo de Chomón's as director is speculative.

A biopic of former Emperor of France, Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant 1797 invasion of Italy.

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

The devil takes Maciste down to hell in an attempt to corrupt and ruin his morality.

The devil performs his magical powers.

A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.

A magician charms a caterpillar and turns it into a butterfly woman. This film is a blatant remake of Georges Méliès's "La Chrysalide et le Papillon d'or" (1901).

A woman imagines the revenge of a gypsy that she sent away. This piece is told in multiple scenes, in an increasingly artificial world, as the venue shifts from a realistic courtyard to a wild, stagebound prison in which various stage monsters appear.

A female magician presents several impressive metamorphoses, combining stop-motion animation and camera tricks.

The legend of Aladdin and his magic lamp: Aladdin finds a magic lamp which brings him wealth, luxury, and marriage to a princess. But his rival, an evil magician, steals the lamp for himself. Aladdin must regain the lamp or lose everything.

Rising from a stage are two vases which separate to reveal a female dancer behind each of the vases. They create magical circles of flowers from which other women emerge. The dancers construct an elegant floral display, in the middle of which a miniature dancer performs. Another circle of flowers is brought forward on the stage, toward the camera, and in the circle are shown a series of women. The original pair of dancers conclude by twirling their parasols.

In a bower of giant tulips a boy and girl practice flower magic. They cause flowers and birds to open and human forms to issue therefrom, and on the black background of the wonderful garden there appear myriad flowers, in the center of each of which is a smiling feminine head. Tableaux showing pretty girl and flower effects are plentiful and the film winds up with a burst of multi-colored flame, which shoots in fiery splendor from leaves and petals.

"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.

Segundo de Chomón's remake of Georges Méliès' A Trip to the Moon.

A young woman passing through a cemetery at night is suddenly startled by a voice coming from one of the graves. She wishes to rush away, but the ghost appearing compels her to remain. He explains to the terrified girl that she must go to the kingdom of Satan and get a bottle of the Water of Life, which she must bring back to him. The girl consents to do as he desires and starts forth on her expedition after the precious fluid. She summons a lot of soldiers and friends to her aid, and we follow the whole army down into the bowels of the earth. (Moving Picture World)