journal (3.22.16 - 6.5.16) : reload(ed)

From this world to the next

A shot-for-shot in-camera recreation of an iPhone movie. Filmed over the course of 1 day from sunup to sundown. Constraint: Each individual shot in the iPhone cut (filmed and edited one month prior) was timed and each location mapped. Because the film was edited sequentially in-camera, physical movement through space was required in mimicking the cuts of the digital version - an unfolding of montage in real environments. The iPhone movie was constructed so as to form a map, the 16mm film is the traversing of the points plotted. Periodic shots of empty skies mark the passage of time through color. The film’s digital counterpart has been deleted.

Demand full automation, demand a reduced work week, demand universal basic income, destroy the work ethic.

All galaxies appear to be moving away from each other. Over large distances, the further an object moves away from any given vantage point, the more the light waves emanating from it are stretched out before they reach it - resulting in lower and lower frequencies as it continues along its course. Within the spectrum of visible light, red light possesses the lowest frequency, meaning the further into the distance an object strays, the redder it appears from our slice of space and time.

A young man rents a new apartment amidst a breakup

Laser’s hallucinatory investigative report explores Paris’s Pitié-Salpêtrière Hospital, widely considered the birthplace of modern psychology and neurology. Interviews with doctors, historians, clergy, and dance therapists reveal uncanny connections between the emergence of “hysteria” in 19th-century Paris and recent outbreaks of so-called TikTok tics.

A collaboration with computer musician James Emrick

Centered around the post-grad life of young painter Duncan Stinson as he travels from New York to study at Städelschule in Frankfurt, Lebenswirklichkeit’s narrative “progresses through a series of nepotistic gestures in order to collapse the distinction between artistic private life and social positioning.”

Made in Shanghai 2014

Collaboration with ambient musician Etelin (Alex Cobb)

Associations, notes, some penned with the camera (not always my own), some taken only because they stuck to me in some way. A diaristic essay or an attempt to cinematically record some highlights from my perpetual dialogue with cinema — In pursuit of resolving the divergences and lapses between environments, both those lived-in and those on-screen.

A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.