The Legendary Hell

The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.

Adaptation of Junichiro Tanizaki's novel whit the same name. It is perversely erotic relationship between a young salaryman and his teenage wife whom he 'adopted' at first as to 'train' her to be his idealistic modern woman.

Princess Kinuta runs away from the palace because she doesn't want a marriage of convenience. Princess Kinuta, who has never left the palace, didn't enjoy communing with wildlife for long when she was chased by bandit moles and accidentally fell into the Valley of the Spider's Web. The princess and a white butterfly bound by a mysterious thread were about to be eaten by the spider queen when they are rescued by Tanukichiyo, a young wandering samurai who happens to be passing by. Historical fantasy comedy starring Hibari and Izumi.

After running away from her mother, Ashiko works as a maid at an inn and changes her name, but she finds herself torn between her past and a new relationship with a lonely trader on the beach of Atami.

At a long-established katsuobushi wholesaler in Nihonbashi, the second-generation president leaves operations to the capable young manager raised within the family. The manager and the president’s daughter bicker constantly, masking unresolved feelings. When a dispute involving the president’s mistress surfaces, the incident strains both the household and the business.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

Once upon a time, Okuro (Ayako Wakao), a young female racoon, lived poorly with her drunken father. One day after they disguised themselves as parasols, they were wrongly brought to the Racoon Palace, where the young racoon princess (also Ayako Wakao) made a mess of her arranged marriage with the beautiful racoon prince (Raizô Ichikawa). Pretty princess ran away. In order not to spoil the promising marriage, people tried to make use of resemblances between Okuro and the princess. Before long, Okuro and the Prince fell in love with each other...

During the Warring States era of early 17th century Japan, teenage princess Sen is besieged with other members of her family in Osaka Castle, by a rival force led by her grandfather.

A moving story depicting the spirit of a young marathon runner who set a new world record in Boston, encouraged by the love of his family, a young woman’s prayers, and warm friendship.

A beautiful but sad romantic melodrama about three sisters who are uninhibited, pure and lovely, and who stand tall like the peaks of a place that has endured the winds and snow of love! Eisuke Taniguchi (Shimizu), president of Towa Electric Works, has three beautiful daughters. The eldest, Kozue (Todoroki), is an intelligent and dynamic modern girl, the second, Yoko (Otowa), is a modest girl with Japanese tastes, and the third, Hanayo (Wakayama), is a mischievous girl who has not yet lost her schoolgirl temperament. All three have feelings for Kiichiro Matsuzaki (Uehara), the president of a magazine company. He was married to Kozue, the eldest daughter, by agreement between their parents, but it was Yoko whom he loved, so he asked her to end her engagement to him.

Bittersweet shomin-geki drama by Keigo Kimura

Driven by a murderous intent, he pursues the palanquin carrying the renowned onnagata Kikunosuke, who has taken the place of the princess destined to marry the lord of the Okazaki domain.