Tôkyô madamu to Ôsaka fujin

The final film by Yuzo Kawashima.

A President of the confectionery company announced his retirement, and his sixteen year old granddaughter, Madoka was ordered to be a new head. But Madoka wants to be a stage dancer, so she won't concentrate her office job. Madoka meets Akiyama, a stage director. Akiyama introduce her to his neighbors. In among poor but open minded people, Madoka has changed. Her new ambition is her company provide nice sweets for children. She decide to focus on the office job. But she doesn't know that company executives has conspiracy against her...

It chronicles the experiences of a neighbourhood doctor, whose taste for tonkatsu (a popular Japanese dish, similar to a pork schnitzel) earns him the nickname ‘the pork cutlet prince’ (‘Tonkatsu Taisho’, the film’s Japanese title) from the affectionate residents of the tenement in which he lives. When a local hospital, run by a female doctor, plans to expand, the future of the tenement is called into question.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Jiro Sone sacrifices all comfort to devote himself to research. Young housewife Yachiyo is disappointed with her husband Kappei, who is more attracted to mountain climbing and another girl. When Yachiyo’s father is introduced to Jiro, all of their lives become intertwined...

A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.

Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.

Japanese drama.

In the thriving Tokyo neighborhood of Ginza, a woman in the process of selling her estranged husband’s art collection attempts to identify the man who painted her own portrait fifteen years prior.

Comedy of manners set on the "Kodama" train between Tokyo and Osaka, before the opening of the Shinkansen. In the leading role, Frankie Sakai plays a straightforward but indecisive hero. The passengers also include the bubbly Dan Reiko, and Ozawa Eitaro as a dour company president. Based on the novel "Seven and a half hours", by Shishi Bunroku.

When Yumiko Tsuyama, a potter by profession, comes inquiring about a room for rent in an old mansion overlooking Osaka, she finds a bizarre collection of characters already living there. The unlikely leader of this menagerie is Yoda Goro, who speaks four languages fluently, is an expert in cabbage rolls, and has written how-to books encompassing every aspect of human existence.

Comedy about three soldiers, two female reporters, six prostitutes, and the wife of an officer, all stranded on a South Seas island at the end of World War II.

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself 'already dead'.