Yūzō Kawashima

Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s daughter befriends the mistress, the affair throws the family into turmoil.

Jiro Sone sacrifices all comfort to devote himself to research. Young housewife Yachiyo is disappointed with her husband Kappei, who is more attracted to mountain climbing and another girl. When Yachiyo’s father is introduced to Jiro, all of their lives become intertwined...

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.

In the thriving Tokyo neighborhood of Ginza, a woman in the process of selling her estranged husband’s art collection attempts to identify the man who painted her own portrait fifteen years prior.

A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.