The Gallery of Monsters

In the snow as bells toll, a hooded figure makes its way through the streets to a church.

The woman thief evades a young lady who is onto his game, but then tries his wiles elsewhere on a married woman by attempting to compromise and ruin the husband she is happy with.

Crazy scientist Faust tries to take Don Juan's lover away.

"A charming story of a young society girl and the pathetic love of a youth..." Considered a lost film.

"A woman arrives terribly late for a date with her husband in a small café. He has given up, so – as bad luck would have it – the two pass each other in the revolving door. When they do actually meet up, she has a lovely surprise for her husband ... Structured like a theatrical sketch, this comical commercial for a Dortmund fashion boutique uses puns and situation comedy to document the first stirrings of the consumer society in Germany." - Berlinale 2018

A poem to love and patriotism soon after the end of World War I. A highly original and poetic film using many experimental camera techniques, which proved too fanciful for many but which established Marcel L'Herbier's reputation as a talented innovator. This is the director's debut film and it is considered the second impressionist film, the first being Abel Gance's, 1918, La Dixième symphonie (The Tenth Symphony).

To fulfill her Father's wish, Grand Duchess Aurora (Huguette Duflos) is forced into an unhappy marriage with Grand Duke Rudolph (Henry Houry). He prepares to leave for the Congo but is murdered by his own brother (Georges Vaultier). Aurora goes to Paris with her father and, there, is told on the phone of her husband's death. After returning to the Kingdom, she meets a tutor (Jaque Catelain) who falls in love with her..

"L'Occident" presents a story of the reaction of East and West in contact. It is based on a novel of Henry Kistemaeckers, produced for the screen by M. Henri Fescourt. The story is of the love of Hassina, daughter of a Moroccan chief, and Lieutenant Cadière, who lands from his ship to get information for the fleet about the position of an army of rebel tribesmen.

Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

Comtesse Della Gentia and her lover Paul attempt to seduce and blackmail a rich neighbour Juan, who is in love with a naïve young friend of theirs, Clarisse. Their plot fails; the Comtesse kills herself at a ball, and her lover re-covers her face with its mask.

A famous singer Claire Lescot, who lives on the outskirts of Paris, is courted by many men, including a maharajah, Djorah de Nopur, and a young Swedish scientist, Einar Norsen. At her lavish parties she enjoys their amorous attentions but she remains emotionally aloof and heartlessly taunts them. When she is told that Norsen has killed himself because of her, she shows no feelings. At her next concert she is booed by an audience outraged at her coldness and she decides to visit the vault in which Norsen's body lies.

The early days of the French Revolution, as seen through the eyes of the ordinary citizens in Marseille and the royal court, including King Louis XVI and Marie Antoinette.

In Granada in Spain, Sibilla works as a dancer in a squalid cabaret called El Dorado, struggling to earn enough to care for her sick child. The boy's father Estiria, a prominent citizen, refuses them both help and recognition, fearful of jeopardising the engagement of his adult daughter Iliana to a wealthy nobleman. Iliana however slips away from her engagement party to meet her real lover Hedwick, a Swedish painter. Sibilla, in desperation after a further rejection by Estiria, sees an opportunity to blackmail him by locking the lovers overnight in their meeting-place in the Alhambra.

Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.