The Woman Thief

Alexandre Dumas' romantic novel Lady of the Camelias (more popularly known as Camille) was filmed twice in 1953, first in Argentina, then in France. The Argentine film was heavily modernized, while the French version returns to Dumas' 19th-century milieu. Micheline Presle is excellent as Marguerite, the gorgeous courtesan who flits from man to man until she finds true love in the form of the much-younger Armand (Rolande Alexandre). Though he is willing to marry her despite her past, she is persuaded to forsake him, lest his reputation be ruined. The story then wends its way towards its famous tragic finale, as the consumptive Marguerite is permitted a few brief moments of happiness before her flame is permanently extinguished. Advertised as the seventh version of the Dumas classic, La Dame aux Camelias was certainly not the last.

A second version of Gance's Napoléon, with sound.

A biopic of former Emperor of France, Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant 1797 invasion of Italy.

The story of two men, one married, the other the lover of the other's wife, who meet in the trenches of the First World War, and how their tale becomes a microcosm for the horrors of war.

Sisif, a railwayman, saves a young girl named Norma orphaned by a train crash and raises her as his own daughter alongside his son, Elie. As she becomes an adult, Sisif grapples with whether to tell Norma the truth about her parentage.

A man travels to the remote and decaying mansion of his old friend Roderick Usher, who lives in isolation with his mysterious and gravely ill wife, Madeleine. As the strange atmosphere surrounding the Usher family grows increasingly unsettling, the visitor finds himself drawn into their world of obsession, illness, and supernatural dread.

Marguerite de Valois, daughter of Catherine de Médicis, celebrates her wedding with Henri de Navarre. Officially, it's a rapprochement between the League and the Huguenots. In fact, it was an opportunity to bring all the Huguenots to Paris and kill them all at once. King Charles IX fails in his attempt on Coligny's life. Queen Margot tries to save her husband from the St. Bartholomew's Day massacre by preventing the annulment of his marriage, forcing Henri to share her bed. Two knights from opposing camps are wounded and, saved în extremis, are hidden together by the queen and her cousin. Margot falls in love with one of them, but has to run to warn her husband of a new attack...

A hero of the Paris streets is recruited for a conspiracy against Mazarin in the court of the King, but he reveals the subversive plot to Anne of Austria.

Based on the play by Victor Hugo, portraying the rise, fall and execution of Fabiano Fabiani, a fictional favourite of Mary I of England.

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

Maxime de Champcey, a bankrupt marquis, is hired by the wealthy Laroque and falls for his daughter Marguerite. She loves him too but rejects him under the belief he's a fortune hunter.

Napoleon Bonaparte crowns himself emperor and fights the English, Austrians and Russians in 1802.

Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news.

Out of love for an actress, Isabelle, the Baron de Sigognac joins a traveling troop en route to Paris. When an actor dies, he takes over his role: that of Captain Fracasse.

A young noblewoman is unhappy about needing to marry the village ironmaster for financial reasons, but later comes to appreciate her husband.

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.