A Bee in the Rain

Life of photographer Gérard Castello-Lopes, disciple of Cartier-Bresson.

Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

A comedy divided into two episodes. The first tells the story of Agildo, a man obsessed with women, who is caught by his wife in bed with the maid. He begins to live a sexual fast so his wife doesn't leave him, but tries to use his imagination to cheat on his wife without betraying his religion. In the second episode, a tough guy manages to win over a beautiful woman, but doesn't have the money to take her on a date. However, his three best friends will do anything to ensure his success with her.

Documentary short film on the city of Évora, Portugal. Usually regarded as the first film of the Portuguese New Wave.

Lisbon, 1989. A middle-aged poor man, tormented by an illness, lives in a cheap room in a family boarding house, in the old section of the city's waterfront.

A portrait of Belarmino Fragoso, a veteran boxer in Lisbon nearing the end of his career. In a blend of reportage and re-enactment, the many vices of the once national featherweight champion are revealed against a background of the grim economics of boxing in 1960s Portugal.

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnation Revolution", as that period would be later known.

One of the first films that looks at the Portuguese region of Trás-os-Montes. From the mask called “careto” and the popular festival to the everyday reality.

THE LOVEBIRDS intertwines six stories about love, friendship and survival. The film stars an international cast of American and Portuguese actors who create a colorful mix of off-beat characters that lead us through a complex labyrinth of emotions. Set in the old Romanesque city of Lisbon during the course of one night where love is the art of survival. Written by Anonymous

The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.

Carlos is a famous journalist at the age of 55. His wife, Ada, is the opposite of her husband, a woman with a very active social life, and she is happy and seductive. One day, Carlos accidentally opens a text message on Ada’s cellular telephone. A new world reveals itself before his eyes when he discovers that his wife is seeing another man. With the help of his friend with whom he goes to live, Carlos discovers a universe of virtual lovers and electronic adultery.

Laura works as a newscaster and José Maria as a stockbroker, and while they live in the same housing complex, their lives never cross directly. Nevertheless, he watches her from a distance, seeing all her movements without her knowledge. But their lives finally meet when he is invited onto her news program. From there, a romance begins which coincides with the desire of two beings who finally find a reason to seek love once again.

Abel, 47 years old, two wars - in the colonies and France, emigration - several scars from many battles lost, returns in a jump to Portugal, to his lost village in the northern interior, near the border, from where one day he'd be gone, also from a jump. A letter, from his brother Peter, warned him that everything changed. Even Teresa. Abel catches sight of his childhood in the village hills, the old tribe. From a distance everything seams to be in the same placesa, the old dog is all that remains of the past. In the village the Act of Passion will be performed and Teresa is one of the participants. Abel takes the old gestures and prepares his plan: eliminate one by one Teresa's suitors, to consummate during the act of the Passion, her death ...

A wealthy landowner, "The Dauphin," enjoys a decadent life of hunting, drinking, and womanizing. He oversees his estate, the Laguna, with his barren wife, his one-armed manservant, and his treasured guard dog. When a sportsman (the film’s narrator) comes to the estate for his annual duck-hunting excursion, he discovers the body of the landowner’s wife floating in the lagoon and the manservant dead on his master’s bed. The Dauphin and his dog are nowhere to be found except for the mysterious barking sounds heard over the lagoon.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Spino, a pathologist, receives an unidentified body which looks familiar to him... himself, 30 years younger.