Ruy Furtado

A film adaptation of the Charles Dickens novel "Hard Times" set in a Portuguese industrial town of the 1980s.

João and Jaime work as taxi drivers for the same company. But, once the company's vault is robbed by Raul, the manager's son, João is the one to blame.

Leonel is a pianist, nostalgic of sweet melodies, while his son is the (real-life) leader of Os Gatos Pretos (black cats), a twist musical group. The conflict is eventu ally solved when Leonel's daughter, Cilinha, starts dating Raúl, a well-off young man, who promote a new dancing club, the Lisboa Antiga e Moderna, where old new music get even shares.

Nineteen-year-old Julio heads to Lisbon from the provinces and gets a job as a shoemaker for his uncle Raul. But when he meets Ilda, a confident young housemaid who becomes a regular shop visitor, his working-class values collide with the bourgeois trappings of modern life.

In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.

After two years of fighting in Angola, Ilídio returns to the village where Mary, whom he considered his bride, is indifferent. She is convinced that she has a religious calling.

An arms smuggler organization uses a pirate television station to spread dissention among representatives in an international conference in Portugal. A French diplomat travels to Macao, hoping to locate a sexy spy who had stayed in Lisbon.

An angry young man goes to Europe to find his father, a '60s radical turned doctor in exile.

Two neighboring villages fight over control of a stream to water their lands.

In a mental institution the patients see themselves as people like Jesus, Lazarus, Martha, Mary, Adam, Eve, Sonia, Raskolnikov, Aliosha e Ivan Karamasov, a Philosopher, a Profet, Santa Teresa d'Avila, reciting the Divine Comedy.

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

Lisbon, 1989. A middle-aged poor man, tormented by an illness, lives in a cheap room in a family boarding house, in the old section of the city's waterfront.

A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.

A story about doomed love between two people from different worlds and the impact in their lives.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.

This Portuguese drama examines the daily life minutiae and intrigues of two scions of society in the rural village where they live. One is a wealthy landowner, the other a widowed aristocrat who lives in a world of her own.

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

João Eduardo, a young inexperienced doctor, takes up work in a village. The initial skepticism from the community gives place to esteem for the new physician after some well succeeded cases.

The story of a town—Miranda do Douro—and its inhabitants, victims of a catastrophe on May 8, 1762. Around 350 to 400 people died, houses were destroyed, and many were injured. The war, which was external to those people, victimized them in the worst way, through the unexpected - the accident. The city was an important military target, and its destruction was caused by an explosion in its stronghold...

After failing in his attempt to escape, a teenager is taken back to his family.

11th century. Descended from the aristocracy, Alexis flees a world dominated by money and strength. The young man, in love with justice and freedom, sets off on the roads to discover the world, abandoning his wife and family.

A nobleman from Alentejo, from a very conservative family, intends to reconquer Olivenza, returning the situation to the times of the Treaty of Tordesillas. To this end, he creates two movements, which prepare for the big day. However, these plans do not work, as the daughter of the Mayor of Olivenza falls in love with the son of the Baron of Altamira, and the war will be different...

A story about doomed love between two people from different worlds and the impact in their lives. Based on the novel of the same name by Portuguese writer Camilo Castelo Branco.

The Dossiers of Inspector Lavardin is a French television series in four 90-minute episodes, created by Dominique Roulet and Claude Chabrol and broadcast between September 15, 1988 and February 1, 1990 on TF1. It follows the two films Chicken in Vinegar and Inspector Lavardin directed by Claude Chabrol and already featuring Jean Poiret in the role of Lavardin. This short series depicts the investigations of Inspector Lavardin, a tongue-in-cheek policeman known for his bad manners.

The plan to build a large shipping canal between the Mediterranean Sea and the Red Sea had been around for a long time. But it took a man with the drive of Ferdinand de Lesseps to make it happen.