Não é exatamente amor

In a dystopian future, Joana and Valenza take a journey adrift through a northeastern city. Through electronic music and a noisy track, the characters walking the streets perform what they feel while living in this society trying to understand it. Abjetas 288 deals with territorialities, identities and meritocracy, all with an ironic tone and using allegorical elements that dialogue with the popular history of Aracaju.

The film questions how women and their bodies are represented in television media. Through testimonies from ordinary women, activists, and an advertising professional, the documentary promotes reflection on the situation of women on Brazilian TV today.