Jamboree

Explores the concept of texture in our environment and how it is perceived through our senses, particularly touch and sight. The film describes texture as the surface quality of objects, which can range from smooth to rough, shiny to bumpy, or any variation in between. It emphasizes that every surface, including the Earth and living things on it, has its own unique texture.

A police psychiatrist is enlisted to catch a killer.

Part of the Crime Does Not Pay short series.

1940. Sixteen year old Phillip is one of a number of amateur radio operators across the US, doing it purely as a fun hobby. He is informed by Bill Beck of the Radio and Intelligence Division (RID) of the Federal Communications Commission (FCC) that amateur international radio communication is now banned due to spying a result of the war in Europe. Beck, on behalf of the RID, asks Phillip, however, to continue to monitor the airwaves for suspicious activity.

A look at how the weather bureau tries to warn farmers and businessmen about approaching large storms. Although some precautions can be taken to lessen their impact, storms have to run their course, and there is really not much we can do about them.

Fearing that his recently-acquired step-mother, Ann Dennis, is competing with him for his father's affections, and saddened by the death of his dog, young Danny Mitchell seeks consolation in the companionship of a ferocious, Nazi-trained police dog, Rusty, brought to the U.S. by a returning WWII-veteran. The step-mother, with tender understanding, eventually wins Danny over while Danny pacifies his new dog.

In this John Nesbitt's Passing Parade short, a man recovers his lost memories when he is forced to relive events in his dreams.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

An orphan is uncertain whether she wants to remain with her adoptive family or return to the orphanage.

Designed to create a heightened awareness of color in our environment. Avoids theoretical analysis, emphasizing instead the sensuous and emotional appeal of color and its power to influence vision and feeling. Features an avant-garde auto harp soundtrack by Werner Bracher.

Two case studies highlighting the work of the National Council of Social Service: the conversion of a barn into a village hall in South Cerney, Gloucestershire, and the building of an occupational centre in the depressed mining village of Pentre in the Rhondda Valley, Wales.

This film explores the fundamental role of rhythm and movement in art, drawing parallels between natural phenomena and artistic creation. It demonstrates how artists utilize various elements like line, color, light, and form to evoke a sense of rhythm and motion. Through examples from different art forms, including painting, sculpture, architecture, and film, the transcript highlights techniques such as repetition, alternation, and accent to create dynamic visual experiences that engage the viewer's eye and imbue static works with life.

A playful and affectionate look at London Zoo and the people and animals who make up its daily life.

Everyone should hang out with Basketball! Basketball’s mom thinks Basketball is really cool, no matter what the kids at school say!

The art of mixing color is shown in a visual presentation.

The relationship between human emotions and the art created is illustrated by a selection of artistic works which span all periods of history and a variety of subjects. Shows ways in which artists use many materials and methods to translate their personal feelings into visual forms: murals, landscapes, portraits, posters, billboards, abstract paintings, cartoons, pop art, sculpture and motion pictures.