Paul Burnford

Fearing that his recently-acquired step-mother, Ann Dennis, is competing with him for his father's affections, and saddened by the death of his dog, young Danny Mitchell seeks consolation in the companionship of a ferocious, Nazi-trained police dog, Rusty, brought to the U.S. by a returning WWII-veteran. The step-mother, with tender understanding, eventually wins Danny over while Danny pacifies his new dog.

While riding on horseback with fellow actor Bill Demarest near the vast Irvine Ranch in Southern California, Jimmy Stewart pauses to explain that Irvine will be the location of the 1953 Boy Scout Jamboree.

Explores the concept of texture in our environment and how it is perceived through our senses, particularly touch and sight. The film describes texture as the surface quality of objects, which can range from smooth to rough, shiny to bumpy, or any variation in between. It emphasizes that every surface, including the Earth and living things on it, has its own unique texture.

Part of the Crime Does Not Pay short series.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

This film explores the fundamental role of rhythm and movement in art, drawing parallels between natural phenomena and artistic creation. It demonstrates how artists utilize various elements like line, color, light, and form to evoke a sense of rhythm and motion. Through examples from different art forms, including painting, sculpture, architecture, and film, the transcript highlights techniques such as repetition, alternation, and accent to create dynamic visual experiences that engage the viewer's eye and imbue static works with life.

A playful and affectionate look at London Zoo and the people and animals who make up its daily life.

The art of mixing color is shown in a visual presentation.