A Robbery at Midnight

The film ballet based on the play by Bernard Shaw "Pygmalion" to the music of Timur Kogan. For the first time, an attempt was made to translate the play into the language of choreography. And although the musical “F. My Fair Lady” was taken as the basis, the choreographer D. Bryantsev and director A. Belinsky offered a completely original interpretation of the famous work - classical ballet dancers act as real dramatic actors.

The silly but practical mother of the quiet fool and dreamer Misha Balzaminov, knowing that her son cannot survive on his own abilities alone, does everything she can to marry him off profitably. Several times, Balzaminov's matchmaking ends not just in failure, but in a loud scandal with insults. However, after some time, happiness finally smiles on Misha. A certain Belotelova, one of the richest widows, a merchant's wife and a respected woman in the city, dying of boredom, asks a matchmaker to arrange her personal happiness. That's when Balmazhinov comes into the picture.

An elderly man - a naive, impractical artist of the musical comedy theater - writes an operetta about goodness. His son is a resuscitation doctor, very businesslike and practical, and teases him all the time. The marriage of Petrov Sr. to the young ballerina Alena also did not add harmony to their relationship. But one day, father and son suddenly realize how necessary they are to each other... When the young stepmother begins to be in danger during childbirth, the son stops being sarcastic and fulfills his human and filial duty.

In 1920s Moscow, shortly after the October Revolution, a stray dog named Sharik is taken in by Professor Preobrazhensky, a wealthy and respected surgeon. The professor performs a daring medical experiment on the dog that changes him into a human being. As the newly transformed Sharikov begins to navigate life in the professor’s apartment, his crude behavior and revolutionary ideas turn the household upside down.

Fragments of all three short stories retrospectively pass before our eyes. The most difficult thing is not to lose the person who came into your life. Everything can be returned, except the people we lost. Preserving a person is the greatest of arts.

Who was the first to bring the great novel "12 Chairs" to the screen? You say "Leonid Gaidai" - and it will be a mistake. In our country, the first director was Alexander Belinsky (Leningrad television, 1966). Filming the favorite books of millions is a difficult task. The audience knows the plot in detail. Winged phrases have long gone to the people. Everyone has their own idea of ​​the main characters. In general, dissatisfied will be sure. So the version of "12 chairs", proposed by Alexander Belinsky, of course, will not suit everyone.

Among the greenery of the parks of St. Petersburg, the white dress of a beautiful stranger flashes. Together with the prototype of the poet, and other characters - visitors to the restaurant - we wander around the city, go to restaurants, to the train station, to a reception in a rich and noble house. And everywhere we meet her. A stranger.

A ballet film based on the plots of films and set to music by Charles Spencer Chaplin.

An almanac of short feature films based on stories by Mikhail Mishin from the collection of short stories "Pause in a Major".

Stella and Sid, seaside dancers, perform a dangerous circus act. After a conversation with an old entertainer, Stella is afraid to jump, requiring a decision.

Set in a fictional town in northern Russia, where highly classified research in magic occurs, the novel is a satire of Soviet scientific research institutes, complete with an inept administration, a dishonest, show-horse professor, and numerous equipment failures. It offers an idealistic view of the scientific work ethic, as reflected in the title which suggests that the scientists' weekends are nonexistent. (Wikipedia)

In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."

In the main character's diary, he describes his life, his work, and the people around him. He goes on to write about his feelings for a woman, and soon after that he begins to show signs of insanity - he talks to her doggie Meji, he gets hold of letters that Meji wrote to another doggie. After a few days, he's already completely disconnected from reality...

A television adaptation of a short comedy of the same name by George Bernard Shaw.

A television adaptation of Alexander Ostrovsky's play "Crazy Money," directed by Alexander Belinsky, the most prolific director of Leningrad television.