Monday Begins on Saturday

The film ballet based on the play by Bernard Shaw "Pygmalion" to the music of Timur Kogan. For the first time, an attempt was made to translate the play into the language of choreography. And although the musical “F. My Fair Lady” was taken as the basis, the choreographer D. Bryantsev and director A. Belinsky offered a completely original interpretation of the famous work - classical ballet dancers act as real dramatic actors.

In 1920s Moscow, shortly after the October Revolution, a stray dog named Sharik is taken in by Professor Preobrazhensky, a wealthy and respected surgeon. The professor performs a daring medical experiment on the dog that changes him into a human being. As the newly transformed Sharikov begins to navigate life in the professor’s apartment, his crude behavior and revolutionary ideas turn the household upside down.

Who was the first to bring the great novel "12 Chairs" to the screen? You say "Leonid Gaidai" - and it will be a mistake. In our country, the first director was Alexander Belinsky (Leningrad television, 1966). Filming the favorite books of millions is a difficult task. The audience knows the plot in detail. Winged phrases have long gone to the people. Everyone has their own idea of ​​the main characters. In general, dissatisfied will be sure. So the version of "12 chairs", proposed by Alexander Belinsky, of course, will not suit everyone.

A young and wealthy widow, Maritsa, is a tempting prize for fortune hunters in search of a rich bride. To scare off all the suitors once and for all, Maritsa randomly invents a fiancé’s name. But it turns out that a man with that exact name actually exists—and now he’s happily rushing to meet his “bride.”

Among the greenery of the parks of St. Petersburg, the white dress of a beautiful stranger flashes. Together with the prototype of the poet, and other characters - visitors to the restaurant - we wander around the city, go to restaurants, to the train station, to a reception in a rich and noble house. And everywhere we meet her. A stranger.

An almanac of short feature films based on stories by Mikhail Mishin from the collection of short stories "Pause in a Major".

Stella and Sid, seaside dancers, perform a dangerous circus act. After a conversation with an old entertainer, Stella is afraid to jump, requiring a decision.

Bolshoi Ballet stars Vladimir Vasiliev and Ekaterina Maximova dance this 1982 performance of "Anyuta," the story of a small-town woman who purposely marries above her social status only to learn that popularity comes with a price. Maximova performs the role of Anyuta; Vasiliev plays Anyuta's drunk father.

In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."

In the main character's diary, he describes his life, his work, and the people around him. He goes on to write about his feelings for a woman, and soon after that he begins to show signs of insanity - he talks to her doggie Meji, he gets hold of letters that Meji wrote to another doggie. After a few days, he's already completely disconnected from reality...

Based on the novel of the same name by I.A. Goncharov.

Mirandolina is the mistress of a small Florentine hotel. An attractive and intelligent young woman easily manipulates the hotel guests.

A television adaptation of Alexander Ostrovsky's play "Crazy Money," directed by Alexander Belinsky, the most prolific director of Leningrad television.

Realizing that his quest for knowledge is quixotic, a Russian polar explorer prepares for a doomed expedition to the Arctic. A live performance for Leningrad Television.