Mother Alone

Dr. Sarath (Tony Ranasinghe) domineers over his timid wife Vineetha (Sriyani Amarasena). When she is to have a Caesarean delivery of their baby, Sarath refuses to be present even though he himself is a doctor. She dies during surgery and Sarath is forced to live with the spectre of his wife hanging over him.

Madol Duwa (Mangrove Island) is a 1976 Sri Lankan drama film directed by Lester James Peries and produced by Upasena Marasinghe. The film stars Ajith Jinadasa as Upali, a young rebellious youth who travels to a small island to get away from the restrictive society around him. The film is based on Martin Wickremasinghe's 1947 novel Madol Doova. It was a commercial success

"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.

Cyril (Tony Ranasinghe) is dissatisfied with his introverted fiancée Sujatha (Punya Heendeniya). He starts a relationship with the outgoing Sarojini (Anula Karunatilleke) and gets her pregnant. Sujatha meanwhile is fascinated by a wandering Buddhist nun. Due to the pregnancy, Cyril breaks off the engagement having no intention to marry Sarojini. Till the birth of the child he supports her and then leaves her for an older rich woman. Sarojini is distraught and contemplates suicide. Sujatha by this time is planning to become a nun.

England educated Dr. Sarath Pathirana (Vijaya Kumaratunga), who is willing to try out new methods to treat his patients, is directed towards a special patient by the Head Doctor (Henry Jayasena) at the mental hospital. This patient is a beautiful girl named Nirmala…

In rural Sri Lanka, two sisters pursue love and personal ambitions despite their family's strict social expectations. As class barriers and financial struggles intensify, both women are forced to abandon their dreams for family duty.

Piyal is a handsome young teacher who is hired to teach English to Nanda, a member of a high class family. They fall in love, but can't elope because Piyal is of a lower class. Nanda's parents instead push her into a marriage with Jinadasa, who is of the same class as them. With economic downturn in Sri Lanka, both families lose their status and Jinadasa leaves to try to make a better life for himself; he never achieves his goal and dies penniless. Piyal and Nanda can now finally come together. They have changed however, and the earlier idylic nature of their relationship is not recaptured.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.

The story follows a seven-year-old girl from an aristocratic family who is brutally murdered and subsequently reborn in a rural village.

Yahaluvo (Friends) (යහළුවෝ), also known as Yahaluwo, is a 2007 Sinhala romantic drama film. It was directed by Sumitra Peries, produced by Namal Senasinghe, the brother of Sujeewa Senasinghe, and scored by Navaratne Gamage. The film stars Sujeewa Senasinghe and Pooja Umashankar in lead roles along with Iranganie Serasinghe, Tony Ranasinghe, Kamal Addararachchi, and Anarkali Akarsha in supportive roles. It is the 1097th Sri Lankan film in the Sinhala cinema.

A village woman and her young son face various hardships because of the untimely death of her husband.

The calm, dull marriage of a young woman and her much older husband is disturbed when the man's younger brother arrives at their home.